Alexander Joel opens new season with Korngold Das Wunder der Heliane at Opera Vlaanderen
Alexander Joel opens his 2017/18 season at Opera Vlaanderen, where he holds the position of Principal Guest Conductor, on 15 September 2017. Joel conducts Korngold Der Wunder der Heliane, which is directed by David Bösch and stars soprano Ausrine Stundyte as Heliane.
Korngold's rarely-performed opera takes place in a nameless country where a dictatorship has crushed all that brings happiness. Heliane seems to be the only one to possess any individuality, and the faith in happiness and love to resist.
Joel’s other highlights this season include the Richard Jones production of Rigoletto at the Royal Opera House, Covent Garden and a new production of Cavalleria Rusticana and Pagliacci at the Grand Théâtre de Genève.
Conductor Alexander Joel joins Intermusica
We are delighted to welcome German/British conductor Alexander Joel to the Intermusica roster for general management.
Alexander Joel is the Principal Guest Conductor of Opera Vlaanderen, and will conduct Korngold’s rarely performed Das Wunder der Heliane there this autumn, after his successful run of Simon Boccanegra in March 2017.
Joel is a regular guest with the Royal Opera House, Covent Garden (previously conducting Carmen, La bohème and La traviata) and will return at the end of 2017 to conduct David McVicar’s production of Rigoletto.
Other forthcoming events include the next instalment of his acclaimed Ring Cycle with Götterdämmerung, directed by Uwe Laufenberg, at Staatstheater Wiesbaden and a return to Grand Théâtre de Genève with Cavalleria rusticana and Pagliacci in 2018.
On the concert platform, he will be returning to work with the Netherlands Philharmonic Orchestra, the Orchestra of Volksoper Wien and Staatsorchester Braunschweig, where he was formerly Generalmusikdirektor of both the Staatsorchester and the Staatstheater.
“What the guest conductor Alexander Joel drew from the Staatsorchester Wiesbaden was of a quality that has not been heard in a long time. The brass section offer a sonorous and rich sound that was never too loud. The woodwind solos blossom, the strings find their rich colour and lightness, and this has great class. Laufenberg's decision to hire the former Music Director of the Staatstheater Braunschweig for his entire Wiesbaden 'Ring' has proven to be 100% spot on…”
Frankfurter Allgemeine Zeitung