Antony Hermus conducts Mahler Symphony No.5 with the Duisburg Philharmonic
Antony Hermus follows up his acclaimed performance of Mahler Symphony No.1 'Titan' at the Concertgebouw earlier this year with two performances of the composer's Symphony No.5 with the Duisburg Philharmonic on 20 and 21 September 2017. Hermus also leads the orchestra in Willem Jeth Recorder Concerto, with Erik Bosgraaf as soloist.
“Hermus proved that there lurks a fearsome Mahler Conductor in him”
Hermus revisits Mahler in December, when he conducts his 6th symphony with the Nord Nederlands Orkest.
Antony Hermus conducts Hänsel und Gretel with the Dutch National Opera Academy
Antony Hermus joins the Dutch National Opera Academy this month for their open-air production of Humperdinck Hänsel und Gretel, which opens on 4 August 2017. In total Hermus conducts five performances of the opera between 4 and 9 August; these take place at the De Pinkenberg open-air theatre in Velp, with singers from the Dutch National Opera Academy accompanied by the National Youth Orchestra of the Netherlands (NJO). Hermus, who is Artistic Advisor of NJO, has been highly praised for his past collaborations with the youth orchestra:
"In Hermus the young musicians had a conductor who put them first… an impressive motivator, as he was at the Komische Oper a few months ago… he fires up the orchestra….In the Rosenkavalier Suite we could hear the very impressive quality and attention to detail he achieved"
Kulturradio, August 2016
Following the run of Hänsel und Gretel, Hermus conducts NJO in two further performances. On 12 August they are joined at the Grachten Festival by soloists including saxophonist Ties Mellema, cellist Ella van Poucke and mezzo-soprano Karin Strobos. 13 August sees a return to the music of Hänsel und Gretel, with the Youth Orchestra playing the opera’s Prelude alongside works by Schumann and Mendelssohn in a concert at the former Radio Kootwijk building.
On 20 August, Anthony Hermus also appears at Lowlands Festival with North Netherlands Symphony Orchestra, conducting a programme of Copland, Dvorak, Mussorgsky, Ligeti, Berlioz and Khachaturian.
Antony Hermus conducts Rotterdam Philharmonic in Jakarta
Following four sold-out concerts with Danish National Symphony Orchestra, Antony Hermus flies to Jakarta to conduct the Rotterdam Philharmonic in the final leg of the orchestra’s tour of Asia. Hermus conducts the closing concert at The Jakarta Art Center Taman Ismail Marzuki at on 13 June, leading a programme of Beethoven Coriolan Overture, Brahms Violin Concerto with Rosanne Philippens and Tchaikovsky Symphony No.5.
Hermus also travels to Germany this month for two concerts with the Staatsorchester Mainz on 9 and 10 June 2017. Hermus leads the orchestra in an all-Russian program of Liadov Kikimora, Rachmaninov Piano Concerto No.2 with soloist Tzimon Barto and Prokofiev Symphony No.5.
Hermus has received critical acclaim for his interpretations of Prokofiev, including for his debut with the Royal Concertgebouw Orchestra:
“Antony Hermus showed himself to be a "professional" with a nose for drama…, he knows very well how to communicate his passion for the music in a very accessible way.”
Antony Hermus conducts the North Netherlands Symphony Orchestra at the Concertgebouw
Antony Hermus returns to the Concertgebouw on 28 May 2017 when he leads the North Netherlands Symphony Orchestra in a performance of Mahler Symphony No.1 'Titan'. Hermus, Principal Guest Conductor of the North Netherlands Symphony, is fast becoming known for his insightful Mahler interpretations, and received critical acclaim for his performances of ‘The Titan’ with Residentie Orkest:
“Hermus proved that there lurks a fearsome Mahler Conductor in him . The First Symphony unfolded from a soothing calmness which was based on natural authority . Rarely do we hear the trio of the second movement so tender and blissful . In the finale, I loved the outbreaks of terrifying blind panic…”
Elsewhere in May, Hermus conducts the Orchestre Symphonique de Bretagne in four concerts between 9 and 11 May. He leads the orchestra in a programme of Wiesenberg, Rimsky-Korsakov and Saint-Saens Piano Concerto No.5 with soloist Cédric Tiberghien.
Antony Hermus returns to the Norrkoping Symphony Orchestra
Antony Hermus returns to the Norrkoping Symphony Orchestra this month for a concert at the Geerhallen on 4 March 2017.
Hermus conducts the orchestra in a programme of Kodály Dances of Galánta, Dvořák Symphony No.8 and Röntgen-Maier Violin Concerto, performed by Claudia Bonfiglioli. Hermus has had great success previously in Sweden, where his debut at the Gothenburg Opera last season conducting Verdi Macbeth led to an immediate reinvitation for Gianni Schicchi in the Autumn.
Later in the month, Hermus returns to the Opera de Rouen for a concert of arias by Mozart and Rossini with mezzo-soprano Marianna Pizzolato. Hermus is a regular guest in Rouen, last season conducting Beethoven Symphonies No.1 and No.2.
Antony Hermus conducts the Philharmonia at Cheltenham Town Hall
Antony Hermus returns to the Philharmonia Orchestra this month to conduct them at Cheltenham Town Hall on 24 January 2017, in a programme which includes Dvorák Symphony No.8. He has conducted the orchestra several times before in their Music of Today series, but this concert marks his first visit in standard repertoire.
Hermus recently made his debut at the Opera du Rhin, conducting Janáček The Cunning Little Vixen to excellent reviews :
"Happiness shone from the pit also, thanks to the young Dutch conductor Antony Hermus leading the Orchestre Philharmonique de Strasbourg on Olympian form this evening…"
"Antony Hermus conducted the Orchestre Philharmonique de Strasbourg with absolute dedication, lending every gesture and every breath a kind of crazy energy. He communicated every nuance of Janacek’s luxuriant, expressionistic score with both enthusiasm and equilibrium"
Antony Hermus makes debut at Opera National du Rhin with The Cunning Little Vixen
Antony Hermus makes his debut with Opéra National du Rhin this month, conducting Janáček Cunning Little Vixen in six performances from 11 December 2016. Hermus conducts the Orchestre Philharmonique de Strasbourg in Robert Carsen's production at Strasbourg Opera House, with two performances on 6 and and 8 January 2017 at La Filature, Mulhouse.
Antony Hermus conducts the Netherlands Radio Philharmonic Orchestra at the Concertgebouw
Antony Hermus returns to the Netherlands Radio Philharmonic Orchestra on 6 November 2016, conducting the orchestra at the Amsterdam Concertgebouw, with two more concerts taking place on 3 and 4 November at the TivoliVredenburg in Utrecht.
At the Concertgebouw, Hermus conducts performances of Debussy Iberia, Ravel La valse and Ravel Piano Concerto in G major with pianist Joseph Moog. The programme on 4 November also includes the lesser known Diepenbrock Suite Elektra, a recording of which was released in Spring 2016:
“It is conducted masterfully by the excellent Antony Hermus who, from disk to disk, is consolidating his position as one of the best hopes of his generation.”
Clic Musique, August 2016
"Apart from his outstanding musicality and all-round good taste, Hermus is also an excellent communicator with both his musicians and the public. He gave an unusually muscular performance of the Elektra Suite....As a result, both the melancholy and the passion of Diepenbrock's musical poetry are changed to solid gold.”
Opus Klassiek, July 2016
Antony Hermus makes his debut with the BBC Philharmonic
Antony Hermus makes his debut with the BBC Philharmonic this month, conducting the orchestra in two concerts in Manchester and Leeds on 27 and 29 October 2016. In Manchester Hermus leads the orchestra in an all-Tansy Davies programme in Peel Hall as part of the Royal Northern College of Music’s ‘ In Focus’ series, celebrating the work of living composers. Hermus and the orchestra then travel to Leeds for a concert including extracts from Smetana The Bartered Bride, Dvorák Symphony No.7 and Tchaikovsky Piano Concerto No.1, with soloist Pavel Kolesnikov.
Hermus most recently debuted with the Royal Flemish Philharmonic at the Concertgebouw in July 2016, and with the Essen Philharmonic in June 2016 to critical acclaim:
“…performed with verve by the Essen Philharmonic under the electrifying conducting of Antony Hermus”
Westerne Allgemeine Zeitung, June 2016
Antony Hermus conducts Beethoven's Eroica with the Orchestre de la Suisse Romande
Antony Hermus begins the 2016/17 season with a return to the Orchestre Suisse Romande for a concert celebrating the 10 year anniversary of Kofi Annan’s Cartooning for Peace foundation on 16 September 2016. Hermus leads the orchestra in Beethoven Symphony No.3 'Eroica' at Geneva’s Victoria Hall. Cartooning for Peace aims to protect artists' freedom of expression and to fight against political intolerance.
This performance follows on from a successful series of concerts Hermus conducted with the National Youth Orchestra of Netherlands, where he is Artistic Advisor:
"Hermus had his musicians completely in hand; [Strauss's Rosenkavalier Suite was] fresh, effervescent, swash-buckling, and always played with a secret smile. The orchestra allowed Strauss’ multi-facetted Vienna waltzes to unfold beautifully"
Der Tagesspiegel, August 2016
Antony Hermus makes debut with the Royal Flemish Philharmonic at Het Concertgebouw
Antony Hermus makes his debut with the Royal Flemish Philharmonic on 14 July 2016 at the Concertgebouw, Amsterdam, part of the Robeco SummerNight concert series. The program includes Diepenbrock Entr’acte, Bruch Violin Concerto No. 1 with violinist Liza Ferschtman and Dvorák Symphony No. 7.
Hermus is in the midst of an exciting season which has also included a debut with the Essen Philharmonic. He began the spring season with a celebration of Shakespeare in April, when he led the Gothenburg Opera’s acclaimed production of Verdi Macbeth to excellent reviews:
"The orchestra, under Dutch conductor Antony Hermus, had fantastic precision, both in rhythm and sound."
Göteborgs-Posten, May 2016
"The Dutch conductor conducted the orchestra with great sensitivity and never allowed the orchestra to drown out the singers. His control of the dynamics allowed us to hear every nuance of the score, even a single flute effortlessly floating over the rest of the orchestra. "
Bachtrack, May 2016
Hermus followed Macbeth with his debut with the Essen Philharmonic in June, conducting another Shakespearean programme which included music by composers ranging from Purcell to Shostakovich.
During the same month, Hermus also conducted the Residentie Orkest at the Festival Classique opera gala in the Kurhaus Scheveningen. The seaside location was the perfect setting for a programme of operatic highlights on the theme of rivers and the sea sung by soprano Annemarie Kremer, tenor Eric Laporte and bass Bastiaan Everink.
Hermus then travelled to France for three concerts with the Orchestra of Opéra de Rouen between 8 and 10 July. Hermus conducted a programme of Beethoven Symphonies Nos. 1 and 2 and Saint-Säens Unpublished Melodies.
Further highlights for Hermus this season include the release of his new CD of Diepenbrock's symphonic poems with the Bamberger Symphoniker. He then finishes the season in August on a two-week summer tour with the National Youth Orchestra of the Netherlands, where he is Artistic Advisor and Principal Guest Conductor. The orchestra performs works by Strauss, Brahms, Ravel and Joey Roukens with pianist Hannes Minnaar in venues across Europe, including a performance at the Berlin Konzerthaus on 25 August.
Antony Hermus conducts Der Vampyr at Komische Oper Berlin
Hermus returns to Komische Oper Berlin on 20 March 2016 to conduct Heinrich Marschner’s gothic opera, Der Vampyr. Marschner's opera combines supernatural elements set to early 19th century melodies with German baritone Heiko Trinsinger in the role of The Vampire. Further performances of Der Vampyr take place on 20 and 26 March, 3, 17 and 23 April and 5 July.
Hermus has an exciting operatic season ahead, with highlights including a debut at Gothenburg Opera with a new production of Verdi Macbeth in May 2016, and a further debut with Strasbourg Opera conducting Janáček Cunning Little Vixen.
Conductor Antony Hermus joins Intermusica for worldwide management
Dutch conductor Antony Hermus has joined the Intermusica roster for worldwide management. Hermus has become known for his infectiously positive approach to music and life, and his natural talent for encouraging musicians to give their very best.
This shows in the quality and intensity of his performances, and in his excellent track-record of reinvitations. In November 2015 he conducted the Philharmonia Orchestra at the Royal Festival Hall in Julian Anderson’s Book of Hours, and was immediately invited back for a third visit to the orchestra. Likewise his debut with the Rotterdam Philharmonic this summer in an opera gala has already led to two reinvitations.
He was Music Director in Dessau from 2009, where he was nominated “Conductor of the Year” by Opernwelt in 2010, 2011 and 2012, ending his tenure in Summer 2015 with his first Ring cycle and promotion to Honorary Conductor. This season he returns to the Komische Oper Berlin, and debuts at the Gothenburg Opera with Verdi’s Macbeth.
His dramatic flair, sense of line and clear-sighted approach are equally successful in the concert hall, where he has conducted orchestras such as the Royal Concertgebouw and Paris Opera Orchestra, and returns regularly to the Netherlands Radio Philharmonic, Residentie Orkest and Netherlands Philharmonic, Bamberg Symphony, Norrkoping Symphony to name a few. In the coming months he debuts with the Orchestre de la Suisse Romande, Royal Flemish Philharmonic and Seoul Philharmonic.
"Antony Hermus showed himself to be a "professional" with a nose for drama…, he knows very well how to communicate his passion for the music in a very accessible way."
NRC Handelsblad, October 2014
"Outgoing Music Director Antony Hermus conducted this “Ring” decisively, with care and vigilance – as one would expect from this very gifted musician."
Frankfurter Allgemeine Zeitung, May 2015
"Hermus proved that there lurks a fearsome Mahler Conductor in him"
Telegraaf, September 2015