Intermusica Artists' Management


Artists

Piano

Richard Goode

    Listen to podcasts by this artist


    Recital Programmes

     

    November 2007

    J.S. Bach

    Prelude & Fugue in G minor (from WTC Book II)

    J.S. Bach

    Four Sinfonias: in E maj no. 6, E min no. 7, G min no. 11, E flat maj no. 5

    J.S. Bach

    Prelude & Fugue in B major (from WTC Book II)

    Berg

    Piano Sonata, op.1

    Schumann

    Sonata no.2 in G minor, op.22

    *****

     

    Debussy

    Three Preludes: La Cathédrale engloutie; Ondine ; General Lavine, eccentric

    Chopin

    Impromptu in F sharp major Op. 36

    Chopin

    Three Mazurkas: in G Op 50 no.1; in C Op. 24 no.2; in C sharp min Op 50 no.3

    Chopin

    Nocturne in B Major, Op. 62, no. 1

    Chopin

    Polonaise in F sharp minor, Op. 44

     

    May 2008

    J.S. Bach

    Prelude & Fugue in C (from WTC Book II)

    J.S. Bach

    Four Sinfonias: in G min no. 11, E maj no. 6, E min no. 7, E flat maj no. 5

    Chopin

    Nocturne in C minor Op. 48 no. 1

    Chopin

    Four Mazurkas: in C Op 24 no.2; in G Op 50 no.1; in E min Op 41 no.1; in B min Op 33 no.4

    Chopin

    Impromptu in F sharp major Op. 36

    Beethoven

    Sonata No. 14 in C sharp minor Op. 27 no. 2 quasi una fantasia ('Moonlight')

    *****

     

    Debussy

    Two Etudes: Pour les arpèges composés; Pour les octaves

    Chopin

    Nocturne in C sharp minor Op. 27 no. 1

    Chopin

    Scherzo no. 4 in E, Op. 54

    Chopin

    Polonaise in F sharp minor, Op. 44


     
    “He gave a towering account of Schubert’s A minor sonata... The pounding brutality of his unhurried first movement pointed straight ahead to Shostakovich; the filigree decoration of his Andante was impossibly ravishing... a complete artist indeed.”  The Sunday Times
     
    “Goode clarifies the music’s melodic and accompanimental componenets in perfect perspective and ravishing hues.” BBC Music Magazine  
     
    “…he is also one of the most flamboyantly gifted interpreters of the classical and romantic repertoire, and this recital revealed the depth of his musicality.” The Guardian

     

 

 


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