Acclaimed for his Bellini and Donizetti interpretations, Evelino Pidò regularly conducts at the main European opera houses including the Royal Opera House, Covent Garden, Opéra de Lyon, Opéra Bastille and the Grand Théâtre de Genève. He made his Wiener Staatsoper debut in 2011 with a new production of Anna Bolena starring Anna Netrebko and took the Wiener Staatsoper on tour to Japan in November 2012
Acclaimed as one of the world’s leading interpreters of the Italian and French repertoire, Evelino Pidò regularly conducts at the major European opera houses including the Royal Opera House, Covent Garden, Opéra de Lyon, Opéra National de Paris, Gran Teatre del Liceu, Grand Théâtre de Genève, La Monnaie, and Wiener Staatsoper.
Recent engagements include Roméo et Juliette La Monnaie, I Puritani Théâtre des Champs-Eylsées and Opéra de Lyon, Le nozze di Figaro Opéra National de Paris, Simon Boccenegra Wiener Staatsoper, Otello La Monnaie, and Faust Royal Opera House, Covent Garden starring Angela Gheorghiu.
Highlights next season include Norma, a co-production between Opéra National de Lyon and Théatre des Champs Elysées in Paris, Anna Bolena and Adriana Lecouvreur Wiener Staatoper, Guillaume Tell La Monnaie and La Wally Grand Théâtre de Genève. In future seasons, Pido will make his debut for the Gran Theatre del Liceu in Barcelona and return to the Royal Opera House, Covent Garden and the Wiener Staatsoper.
After studying at Turin Conservatoire, Evelino Pidò completed his training at the Vienna Academy. It was his appearance at the Melbourne Festival of the Three Worlds which marked the start of his international career, leading to invitations to Australia for five consecutive seasons, including engagements at Sydney Opera House and for a tour with the ABC Symphony Orchestra. He then made his American début at Santa Fe Opera in 1993, which led to several return invitations in subsequent seasons and major engagements at Los Angeles Opera over the following years. He also made his debut at the Royal Opera House, Covent Garden in 1993, where his greatly acclaimed Barbiere di Sevilla led to several return invitations. He also made appearances at the Festival d’Aix en Provence and at the Opéra de Paris. In 2008, he made his début at the Teatro Real in Madrid with Gioconda, and conducted a new production of Sonnambula at the Metropolitan Opera, New York in 2009. He has since maintained a strong relationship with many of these houses. Pidò made his Wiener Staatsoper debut 2011 with a new production of Anna Bolena starring Anna Netrebko and subsequently took the Wiener Staatsoper on tour to Japan.
Pidò is equally at home with symphonic repertoire in which he has wide-ranging and diverse programmes: he has conducted the major Italian orchestras, including the orchestra of Santa Cecilia and also notably the Royal Philharmonic Orchestra, the Orchestre Philharmonique de Radio France, and the Orchestre de la Suisse Romande.
In 2012, Evelino Pido received the much coveted Bellini D’oro prize for best interpreter of the music of Bellini. His discography includes Donizetti’s L’Elisir d’Amore with the Orchestra and Choir of the Opéra de Lyon for Decca; a recording of Rossini Overtures with the Royal Philharmonic Orchestra; two recordings with Roberto Alagna and Angela Gheorghiu and Rolando Villazon for EMI; a CD of arias with Nathalie Dessay and the Concerto Köln; and La Sonnambula with Nathalie Dessay for EMI Virgin Classics, which won a Diapason d’or and is critically acknowledged as a benchmark recording of this opera.
Evelino Pidò is represented by Intermusica.
July 2013 / 505 words. Not to be altered without permission. Please destroy all previous biographical material.
"Evelino Pidò is a specialist in this repertory [Donizetti] and he leads the Geneva forces in a well balanced account of what many people consider Donizetti's masterpiece”.
C. Mackenzie, Gramophone, January 2013
Norma / Théâtre des Champs Elysées
“As always Evelino Pido`s conducting was virtuosic.”
Forum Opera, November 2013
Gounod Roméo et Juliette / La Monnaie
“The star of the show was Evelino Pidò, who conducted the uncut version of the piece (excluding only the ballet) with real fervour, whilst the Orchestre Symphonique de la Monnaie followed his every movement.”
Luxemburger Wort, March 2013
“…Gounod intended his ‘Roméo et Juliette’ to belong to the great tradition of French Romantic historical operas. And that’s exactly how Evelino Pidò interpreted the piece, with invigorating energy.”
Le Soir, March 2013
“The conductor, Evelino Pidò, launched into the piece like a whirlwind. For three and a half hours, from moments of vehemence down to the softest murmur, he did not slacken for one second: no hesitation, no lulls, just a terrific sense of energy paired with a natural flexibility, giving the singers freedom within his shaping of the piece.”
La Libre Belgique, March 2013
“…playing with intimacy and power… Under the expert conducting of Evelino Pidò, the orchestra was definitely the biggest factor in the performances’s success.”
Crescendo Magazine, March 2013
Donizetti Anna Bolena / Wiener Staatsoper at the Tokyo Bunka Kaikan
“Evelino Pidò is an ideal Donizettian conductor – the Vienna State Opera Orchestra offered him its most Italian sound and the extra polish of an orchestra used to Mozart and R. Strauss. He produced the ideal balance between orchestra and singers, never let rhythms sag, found excitement in buoyancy rather than in weight (as this repertoire demands) and made his musicians sing with the singers, not only in solo passages. This alone would have made this performance worth the while”.
Wordpress, October 2012
Gounod Faust / Royal Opera House, Covent Garden
dir. David McVicar
Much praise is also due to Evelino Pidò, who conducted with tremendous relish and stopped the undeniable soupiness in the score from turning glutinous.
Rupert Christiansen, The Independent, September 2011
“Evelino Pidò, whose recordings with Natalie Dessay (Lucie de Lammermoor and La sonnambula) have impressed so much, inspired the Covent Garden orchestra to great things, invoking the heavenly and the hellish with equal relish and, respectively, sensitivity and infernal energy”.
Evan Dickerson, Seen and Heard International, September 2011
Donizetti Don Pasquale / Royal Opera House, Covent Garden
dir. Jonathan Miller
“Evelino Pidò is completely at home with Donizetti's demanding score, his orchestra gave its considerable all”.
Paul Levy, The Wall Street Journal, September 2010
“Conducting by Evelino Pidò, an excellent replacement for the late Charles Mackerras, gave a thrill to the overture before launching into some lyrical moments, and pacing things very well”.
Mark Ronan’s Theatre Review, September 2010