As part of Intermusica’s commitment to nurturing young artists, we are delighted to be mentoring the young British conductor Adam Hickox. Hickox has already shown considerable promise, demonstrating an impressive fluidity of technique and mature interpretation of a wide symphonic and operatic repertoire. He studied with Sian Edwards at the Royal Academy of Music, where he graduated with DipRam and the Ernest Read Prize for Conducting. He was recently announced as Assistant Conductor of the Rotterdam Philharmonic Orchestra for the 2019/20 and 2020/21 seasons.
Hickox's commitments in Rotterdam include assists for programmes with their Chief Conductor Lahav Shani, Valery Gergiev and Yannick Nézet-Séguin, amongst others, and in April 2020 makes his debut with the orchestra on the podium. Recent engagements include the UK premiere of Thomas Larcher Still for viola and chamber orchestra, with Lawrence Power and Collegium; ‘Music of Exile’ with members of the ARC Ensemble – conducting and reviving works of exiled Jewish composers from the 1930s; assisting on The Turn of the Screw at English National Opera and concerts at the St Endellion and Klosters Music Festivals. In the last year he has also conducted the BBC National Orchestra of Wales and the Philharmonia Orchestra.
He recently assisted Raphaël Pichon at the Festival d'Aix-en-Provence in a production directed by Romeo Castellucci of Mozart Requiem, and in performances of Mozart symphonies; and he returns to English National Opera in Autumn 2019 as assistant conductor for Birtwistle The Mask of Orpheus, assisting Music Director Martyn Brabbins. He has also assisted and worked together with Ryan Wigglesworth, Sir Mark Elder, Edward Gardner, Jac van Steen and Marin Alsop.
Hickox is a graduate of Gonville and Caius College Cambridge, where he studied music and composition with Robin Holloway, and was the conductor of the Cambridge University Symphony Orchestra. In 2016, he co-founded the Endelienta Ensemble, which brings together postgraduate instrumentalists for a series of concerts in Cornwall, now in its third year.
Bartók: Concerto for Orchestra, Dance Suite
Beethoven: Coriolan: Overture; Leonore: Overture no.2; Symphony Nos 2,4,6 & 7, Piano concerto No.1
Bernstein: Candide: Overture
Brahms: Symphony No.2, Variations on a Theme by Joseph Haydn
Bruckner: Symphony No.5
Chopin: Piano Concerto No.1
Copland: Appalachian Spring
Debussy: Prélude à l'après-midi d'un faune, Danse Sacrée et Danse Profane
Elgar: Enigma Variations, Serenade for Strings, Cello Concerto in E minor
Fauré: Pavane (orchestral arrangement)
Fitelberg: Serenade für Rundfunk
Gershwin: Rhapsody in Blue
Hartmann: Burleske Musik
Haydn: Symphony No.104, Nelson Mass
Ives: Three Places in New England
Knussen: Ophelia Dances
Larcher: Still for Viola and Chamber Orchestra
Mahler: Symphony No.4
Mendelssohn: The Hebrides, Paulus, Symphony No.4, Violin Concerto in E minor; A Midsummer Night's Dream: Overture
Mozart: Gran Partita; Die Zauberflöte: Overture; Requiem, Symphony Nos 31, 35, 36, 38, 39, 40 & 41; Piano Concerto Nos 17, 21, 27
Prokofiev: Symphony No.5
Rachmaninoff: Symphonic Dances
Ravel: Le Tombeau de Couperin, Ma Mère L’Oye (full ballet), Piano Concerto in G, Pavane pour une infante défunte
Vaughan Williams: The Lark Ascending
Saint-Saëns: Symphony No.3
Schoenberg: Chamber Symphony No.1
Schumann: Symphony No.2
Sibelius: Symphony No.2
Shostakovich: Symphony Nos 9 & 14, Suite for Jazz Orchestra No.2
Sibelius: Symphony Nos 2 & 7
Smetana: Má Vlast: 'Vltava'
Strauss: Ein Heldenleben
Stravinsky: Concerto in E-flat 'Dumbarton Oaks', Danses Concertantes, Firebird (full ballet, 1910), Firebird (suite, 1945), Variations: Aldous Huxley in memoriam, Symphonies of Wind Instruments
Wagner: Tristan: Prelude; Lohengrin: Prelude to Act 3; Die Meistersinger von Nürnberg: Overture; Siegfried Idyll