Hailed as a “force of nature” (Variety), Dolora Zajick has been internationally acclaimed as that rare voice type, a true dramatic Verdi mezzo-soprano, typified by the composer’s most famous and difficult mezzo-soprano roles. With her expressive vocal palette, seamless technique and ability to communicate even the most complex character, Dolora is particularly renowned for her interpretations of Azucena in Il trovatore, Amneris in Aida and Eboli in Don Carlo on the world’s greatest stages.
Ms Zajick has appeared in opera and concert with some of the foremost conductors of today, which include James Levine, Anthonio Pappano, the late Bruno Bartoletti, James Conlon, Daniele Gatti, Valery Gergiev, Lorin Maazel, Charles Mackerras, Zubin Mehta, Riccardo Muti, Michael Tilson Thomas, and the late Mstislav Rostropovich.
Highlights of Zajick's 2018/19 season include Verdi concerts with Anna Netrebko and Yusif Eyvazov at the Bolshoi Moscow and in Baden-Baden; Amneris in Aida at Metropolitan Opera; Laura Adorno in La gioconda at the Liceu Barcelona, and Verdi’s Requiem with Malmo Symphony.
In the 2017-2018 season Zajick performed as Ulrica in Un ballo in maschera at the Liceu in Barcelona, as Mamma Rosa in Cilea l’Arlesiana at the Deutsche Oper Berlin and her role debut as Gertrude in Hansel and Gretel at the Metropolitan Opera.
In recent seasons Zajick has continued to take on new roles such as Mary in Wagner Der Fliegende Holländer at the Metropolitan Opera in New York, Mrs. Grose in Britten The Turn of the Screw with the Dallas Opera and as Madame de Croissy in Poulenc Les Dialogues des Carmelites with the Washington National Opera. In addition she premiered two of her own compositions: Roads to Zion was performed at the international gathering to celebrate the life of St. Teresa of Avila and her work commissioned for the National Youth Choral Festival was given its first performance in San Francisco. Roads to Zion was reprised in concert with Spain’s Orquesta y Coro de la Comunidad de Madrid.
Other highlights include performances as Ortrud in a new production of Lohengrin at Madrid’s Teatro Real, a role in which she made her debut at the Los Angeles Opera in 2010, as Zia Principessa in Puccini Suor Angelica in Barcelona, as Ježibaba in Dvorák Rusalka, as the Countess in Tchaikovsky The Queen of Spades at the Metropolitan Opera where, in a single season, she also took on Verdi’s three premier mezzo roles: Azucena in Il Trovatore, Ulrica in Un Ballo in Maschera and Amneris in Aida. Houston welcomed her as Amneris in Aida and as Azucena in Il Trovatore and Washington National Opera as Adalgisa in Bellini Norma.
In addition to her outstanding performance career, Zajick is a passionate vocal pedagogue, having founded the Institute for Young Dramatic Voices in 2006, a vocal training program for large or unusual voices designed to help nurture their development according to their unique needs, and to help these young singers reach the world stage. The institute is an intensive 3-week summer program of study with leading coaches and voice teachers who understand the nature of large or unusual voices.
Dolora Zajick was one of the first recipients of the Opera News Award held in 2005 along with James Conlon, Régine Crespin, Susan Graham, and Plácido Domingo, and in October 2009 was honored by the Giulio Gari Foundation in recognition of her extraordinary operatic career. In 2011 she received the Ortrud Award from the Committee for the Marjorie Lawrence Awards for Opera Excellence and OMTI.
New York Times
A mezzo in a class of her own.
If anyone can animate a scene, it’s Dolora Zajick... Zajick’s voice, with a hint of metal at the back of the upper notes and cavernous expansion in the lower ones, is still a couple of sizes bigger than most people’s, and as an actress, too, she delivered the goods.
San Francisco Chronicle
a vocal miracle