Geoffrey Paterson conducts Marius Neset's Snowmelt in debut with the National Orchestra of Belgium
Geoffrey Paterson and saxophonist and composer Marius Neset bring their Snowmelt project to the National Orchestra of Belgium for two performances at BOZAR on 28 and 29 March 2018. The performances also mark Paterson's debut with the orchestra.
Snowmelt is an eleven-part jazz suite, in which Neset builds bridges between improvisation and symphonic music. In 2016 Neset and Paterson released the album Snowmelt on ACT in collaboration with the London Sinfonietta.
Paterson and Neset also bring the project to Basel Sinfonietta in May, and in June bring it to Neset's native Norway at Kongsberg Jazzfestival with the London Sinfonietta.
Geoffrey Paterson conducts the BBC Scottish Symphony Orchestra in contemporary programme
Geoffrey Paterson returns to the BBC Scottish Orchestra at Glasgow City Halls on 10 March 2018. Paterson leads the orchestra in a contemporary programme that includes world premieres of Thomas Hyde Symphony and a reworked version of John Hopkins Double Concerto for Trumpet and Saxophone. The programme is completed by Charlotte Bray Stone Dancer and Diana Burrell Resurrection.
Paterson returns to the orchestra the following week for an ambitious large-scale performance and exhibition at Glasgow's Tramway on 18 March. The performance, entitled Last Futures, sees the BBC Scottish join forces with the Royal Conservatoire of Scotland, Glasgow School of Art and the University of Glasgow to exploe the impact of the social and political movements of 1968. The performance element of Last Futures explores how to action radical visions of the future by weaving music, design, drama and text in a contemporary revision on the experimental creative methodologies that emerged in the late 1960s.
Geoffrey Paterson conducts Royal Conservatoire of Scotland Symphony Orchestra at Glasgow City Halls
Geoffrey Paterson joins the Royal Conservatoire of Scotland Symphony Orchestra to lead them in concert at the Glasgow City Halls on 18 February 2018. Paterson is an alumnus of the Conservatoire, and he conducts a Russian programme of Tchaikovsky, Mussorgsky and Stravinsky The Firebird.
Most recently Paterson conducted the Orchestre National de Lille in their December tour to critical acclaim.
"... with conductor Geoffrey Paterson at the helm, this repertoire took on a sublime aspect… absolutely top-class…"
La Voix du Nord, December 2017
Intermusica at the Southbank Centre's 2018/19 classical season
The Southbank Centre launched its 2018/19 classical season on 30 January 2018, with Intermusica artists and performing throughout the year. Highlights include Marin Alsop continuing her relationship with the Southbank in concerts with the Orchestra of the Age of the Enlightenment and the London Philharmonic Orchestra, Nicholas Collon and the Aurora Orchestra continuing their residency, and performances from Leonidas Kavakos, John Wilson, Kian Soltani and George Li.
Another major highlight of the season is the International Chamber Music Series, which Intermusica co-promotes with the Southbank Centre. This year it opens with a concert from Jordi Savall and his Hesperion XXI and features a concert marking the centenary of author Muriel Spark from the Nash Ensemble, and performances from Leonidas Kavakos and Yuja Wang, the Jerusalem, Artemis and Belcea quartets, and performances of Stockhausen by Southbank Centre Artist in Residence Pierre-Laurent Aimard.
Nicholas Collon and the Aurora Orchestra continue as Associate Orchestra with three concerts in the new season. The first, on 16 September 2018, pairs a memorized performance of Beethoven Symphony No.5 with HK Gruber's Frankenstein!! in a concert conceived and directed by Jane Mitchell. Their second, on 20 January 2019, is titled Songs from the Road and features Mahler's Songs of a Wayfarer, arrangements of folk ballads and the world premiere of Du Yun Where we lost our shadows. Their final concert takes place on 5 June 2019 and features works by Beethoven, Thomas Adès, a Max Richter world premiere and Mozart's Symphony No.41.
Kirill Gerstein renews his partnership with Thomas Adès when he joins the composer and the London Philharmonic Orchestra on 26 September to perform Adès' concerto for piano and orchestra, In Seven Days.
Geoffrey Paterson returns to the London Sinfonietta on 13 October to conduct them in a performance of Pascal Dusapin Passion, a collaboration with Music Theatre Wales.
Patricia Bardon returns to the role of Baba the Turk in a performance of Stravinsky The Rake's Progress with Vladimir Jurowski and the London Philharmonic Orchestra on 3 November.
Lahav Shani and Francesco Piemontesi join forces for a concert of Brahms and Beethoven with the Philharmonia Orchestra on 4 November. Shani conducts Weber Oberon Overture, Brahms Symphony No.1 and Beethoven Piano Concerto No.5 'Emperor', with himself as piano soloist.
Marin Alsop makes her first visit of the season on 11 November, conducting the Orchestra of the Age of Enlightenment in a performance of Brahms Ein deutsches Requiem. She then returns on 16 January to conduct the London Philharmonic Orchestra in a contemporary programme with Colin Currie giving the world premiere of Helen Grime's Percussion Concerto.
John Wilson returns to the Philharmonia Orchestra on 15 November for a concert of Gershwin and Walton. He is joined by Louis Schwizgebel, who performs Gershwin Piano Concerto. Wilson then brings his John Wilson Orchestra to the Southbank Centre on 15 December, leading them in a characteristic programme of music from Hollywood and Broadway. He returns on 18 April to lead the Orchestra of the Age of Enlightenment in a special performance of Gilbert & Sullivan Trial by Jury.
Mary Bevan joins the Philharmonia Orchestra and conductor Brian Wright for a seasonal performance of Handel's Messiah on 16 December.
Leonidas Kavakos appears at the Southbank Centre's International Chamber Music Series on 18 January alongside Yuja Wang, performing a recital of Mozart, Prokofiev, Bartók and Strauss.
Martyn Brabbins joins the Philharmonia Orchestra on 20 January 2019 to conduct an English programme of Elgar, Vaughan Williams, Britten and the London premiere of Geoffrey Gordon's Prometheus, a concerto for bass clarinet and orchestra.
Jacques Imbrailo joins the Mozartists and conductor Ian Page on 29 January for the next concert in their Mozart 250 series, which is themed around the year 1769. Imbrailo sings arias by Gluck, Haydn, Arne, Gréty and Paisiello.
Susan Bickley returns to the Southbank Centre to sing Beethoven Symphony No.9 alongside the Royal Philharmonic Orchestra and conductor Oliver Gooch on 16 March.
Kian Soltani returns on 23 March after his acclaimed debut at Southbank Centre with the West–Eastern Divan Orchestra. This time he joins Edward Gardner and the London Philharmonic Orchestra to play Elgar Cello Concerto.
George Li joins Vasily Petrenko and the London Philharmonic Orchestra on 27 March to perform Tchaikovsky Piano Concerto No.1, part of a programme that also features Khachaturian Adagio of Spartacus and Phrygia and Walton Symphony No.1.
Following a critically acclaimed London conducting debut with the National Youth Orchestra of Great Britain in 2017, Carlos Miguel Prieto returns to lead the young musicians in a concert on 12 April. Prieto conducts an exciting programme of Revueltas, Carlos Chávez and Copland.
Francesco Piemontesi returns to the International Piano Series on 2 May, performing a solo recital of works by Bach, Debussy and Rachmaninov.
Martin James Bartlett joins the Philharmonia Orchestra on 7 May to perform Ravel Piano Concerto in G, part of a programme that also features the world premiere of Cecilia McDowall Da Vinci Requiem.
Geoffrey Paterson makes debut with Orchestre National de Lille on tour of France
Geoffrey Paterson travels to France this month for his debut with the Orchestre National de Lille on 14 December 2017. Paterson's debut comes as part of an eight-concert tour of France celebrating the centenary of Leonard Bernstien beginning at Lille's Le Nouveau Siècle. He conducts extracts from On The Town, Candide, Wonderful Town and West Side Story.
Paterson and the orchestra perform at Le Nouveau Siècle on 14, 17, 19, 21 and 22 December and tour to Maubeuge (15 December), Carvin (16 December) and Pernes-en-Artois (21 December).
Geoffrey Paterson conducts Red Note Ensemble in opening concert of the Huddersfield Contemporary Music Festival
Geoffrey Paterson joins the Red Note Ensemble on 17 November 2017 for the opening concert of the Huddersfield Contemporary Music Festival. Paterson conducts the ensemble in the world premiere of a new work by James Dillon, Tanz/haus and the UK premieres of Stephanie Haensler Ganz Nah and Im Begriffe, alongside works by Morton Feldman and Christian Wolff.
Following the concert in Huddersfield, Paterson then travels to France in December for his debut with Orchestre National de Lille conducting eight concerts on an all-Bernstein tour.
Geoffrey Paterson conducts Music Theatre Wales in UK tour of Eötvös The Golden Dragon
Geoffrey Paterson tours the UK this September and October in a revival of Peter Eötvös The Golden Dragon with Music Theatre Wales. The critically acclaimed production visits towns and cities across the country, with performances at the Shermann Theatre in Cardiff on 22 September, Birmingham Repertory Theatre on 3 October and at the Snape Maltings on 21 October.
"the superb Music Theatre Wales Ensemble, bristling with percussive, rasping, slip-sliding purpose under conductor Geoffrey Paterson."
The Stage, September 2017
Paterson conducted the UK premiere of The Golden Dragon at the 2016 Buxton Festival to widespread appraisal:
"Geoffrey Paterson’s conducting of a superb band is flawless."
Telegraph, July 2016
"... music that is largely declamatory and illustrative, and which uses the resources of the 16 players in the Music Theatre Wales Ensemble under Geoffrey Paterson with tremendous virtuosity and imagination..."
Guardian, July 2016
“Making the most of Menotti’s glittering, caustic and stirring music”: Critical acclaim for Geoffrey Paterson’s Bayerische Staatsoper debut
Geoffrey Paterson’s recent Bayerische Staatsoper debut has been greeted by widespread critical acclaim. Paterson conducted the Munich Chamber Orchestra and the Opera Studio of the Bayerische Staatsoper in a new production of Menotti The Consul, directed by Christiane Lutz.
The six performances were greeted with widespread critical acclaim:
“The Munich Chamber Orchestra played brilliantly under the young British conductor Geoffrey Paterson, making the most of Menotti’s glittering, caustic and stirring music.”
BR-Klassik, March 2017
“Geoffrey Paterson revels again and again in the late romantic drama of the score.”
Süddeutsche Zeitung, March 2017
“They are lucky to have in the pit the Munich Chamber Orchestra who, under the direction of the young Brit Geoffrey Paterson, unfailingly strike the right balance between dramatic tension and clarity of texture.”
Abendzeitung München, March 2017
Click here to watch a clip of Paterson’s performance.
Geoffrey Paterson conducts Varèse as part of BBC Total Immersion
Geoffrey Paterson conducts the Guildhall New Music Ensemble on 6 May 2017 as part of the BBC's Varèse Total Immersion Day. Paterson conducts an all-Varèse programme which includes Hyperprism and Ionisation at Milton Court Concert Hall. The 2pm concert is preceded by a talk in the Barbican Fountain Room, and other events that evening include the BBC Symphony Orchestra performing Varèse’s orchestral works.
Paterson, who is admired for his impressive grasp of detail and his ability to shape and make music from the most complex scores, most recently conducted Menotti The Consul at Bayerische Staatsoper to widespread critical acclaim:
"The Munich Chamber Orchestra played brilliantly under the young British conductor Geoffrey Paterson, making the most of Menotti’s glittering, caustic and stirring music."
BR Klassik, March 2017
"They are lucky to have in the pit the Munich Chamber Orchestra who, under the direction of the young Brit Geoffrey Paterson, unfailingly strike the right balance between dramatic tension and clarity of texture."
Abendzeitung München, March 2017
Geoffrey Paterson makes Bayerische Staatsoper debut conducting The Consul
Geoffrey Paterson makes his Bayerische Staatsoper debut on 28 March 2017 conducting Menotti The Consul. Paterson conducts the Munich Chamber Orchestra and Opera Studio of the Bayerische Staatsoper in a new production by Christiane Lutz, which features a cast including Selene Zanetti as Magda, Niamh O’Sullivan as Secretary and Helena Zubanovich as Mother.
The Consul was Menotti’s first full-length opera and was the recipient of the 1950 Pulitzer Prize for Music. Further performances of The Consul are on 30 and 31 March and 2, 7 and 9 April.
Geoffrey Paterson joins Intermusica for worldwide management
We are delighted to announce that the outstanding young British conductor Geoffrey Paterson has joined Intermusica for general management.
Geoffrey Paterson has made a name for himself in the field of opera, and as an incisive conductor of contemporary music. He has natural authority, and an ability to shape and make music from the most complex scores. Paterson makes his Bayerische Staatsoper debut in March with Menotti's The Consul, and returns regularly to the Royal Opera House where he was a Jette Parker Young Artist shortly after winning the Leeds Competition in 2009. He has conducted the premieres of Birtwistle’s The Corridor and The Cure at the Royal Opera House, the 2015 Aldeburgh Festival and 2016 Holland Festival, of HK Gruber’s Gloria von Jaxtberg at the Bregenz Festival and Royal Opera House, and most recently the UK premiere of Peter Eötvös’s The Golden Dragon at the Buxton Festival.
Other highlights have included Entführung with Glyndebourne Touring, La bohème at Opera North and Porgy and Bess at the Royal Danish Opera. Orchestral engagements past and future include the BBC Symphony Orchestra, Scottish Chamber Orchestra, Orchestre National de Belgique, Basel Sinfonietta, BBC Scottish Symphony and the London Sinfonietta, with whom he has a close ongoing relationship.