Leonardo Capalbo

Highlights of the 2021/22 season include house debuts with Theater an der Wien as Hegenbach in Catalani’s masterpiece La Wally, the Israeli Opera as Alfredo La Traviata and with the Norwegian National Opera. Looking further ahead, Capalbo will make his house debut at the New National Theatre, Tokyo and as well as anticipated returns to Gran Teatre del Liceu, Opera Vlaanderen, Grand Théâtre de Genève and Grange Park Opera. On the concert platform, Capalbo will appear in a special concert drama featuring Verdi’s Requiem in Amsterdam, as part of the national celebration of 75 years of freedom.

Capalbo’s most recent successes include Pinkerton in Mariano Pensotti’s production of Madama Butterfly with Opéra National du Rhin; the title role in a new production of Don Carlos at Opera Vlaanderen; Duca Rigoletto at Komische Oper Berlin; and Beethoven Symphony No.9 in Barcelona and at the Teatro Real, under the baton of Gustavo Dudamel. He was also invited to sing concert performances of Mascagni’s Iris at Teatro Real and to reprise what is now fast becoming a signature role: Don Jose Carmen at Gran Teatre del Liceu.

Moving into the lirico-spinto repertoire, further recent role debuts include Gustavo Un ballo in maschera at Royal Swedish Opera, Cavaradossi Tosca at Minnesota Opera and La Monnaie; Jacopo in I Due Foscari at St Gallen Festspiele and Don Jose Carmen in Palm Beach, Sevilla, Grange Festival, Warsaw and Athens, as well as a highly acclaimed debut in the title role of Don Carlo at Grange Park Opera.

A highly versatile artist, he has appeared in a wide range of roles such as Hoffmann Les contes d’Hoffmann at Royal Opera House, Covent Garden, in Lyon, Tokyo and with Marc Minkowski and Les Musiciens de Louvre in Bremen; Ismaele Nabucco at Royal Opera House Covent Garden; Arturo in La Straniera at the Concertgebouw; Earl of Essex in Sir’s David McVicar’s new production of Britten’s Gloriana at Teatro Real; a new production of Powder Her Face at La Monnaie and in Warsaw; Ruggero in La Rondine, Major Bennet Marco in The Manchurian Candidate; and Nemorino L’elisir d’amore, all at Minnesota Opera; Candide at Berlin Staatsoper and Teatro dell’Opera di Roma; Rodolfo La bohème at Baden-Baden Festspielahus; Tom Rakewell The Rake’s Progress at the Teatro Regio di Torino; Alfredo La Traviata at Teatro del Liceu, Welsh National Opera, Grand Théâtre de Genève, Hamburg, Warsaw and Dresden; Macduff Macbeth in Chicago, Lyon and Dresden; Nemorino L’elisir d’amore at Glyndebourne Festival and Staatsoper Berlin; the title role of Donizetti’s Roberto Devereux in new productions at Canadian Opera Company and at Welsh National Opera; and the Spanish premiere of Daniel Catan’s Il Postino at Teatro Real in Madrid. On the concert platform, he returned to London in the title role of Bernstein’s Candide with the London Symphony Orchestra and Marin Alsop; Puccini’s Messa di Gloria in San Diego and appeared at the 2018 Marilyn Horne Song Celebration at the Zankel Hall in New York

A trainee of the Juilliard School of Music, The Music Academy of the West in Santa Barbara, and L’Académie Musicale de Villecroze, Capalbo worked under the guidance of the legendary Marilyn Horne. He made his operatic debut in 2004 as Paco in de Falla’s La Vida Breve for Opera North. Further engagements with the company included Ismaele Nabucco - later released on Chandos; Roméo Roméo et Juliette; Narraboth Salome; and Juan in Weill’s Der Kuhhandel.

2021/22 season / 653 words. Not to be altered without permission