Leonidas Kavakos is recognised across the world as a violinist and artist of rare quality, known at the highest level for his virtuosity, superb musicianship and the integrity of his playing. He works with the world’s greatest orchestras and conductors and is an exclusive artist with Decca Classics.
The three important mentors in his life have been Stelios Kafantaris, Josef Gingold and Ferenc Rados. By the age of 21, Leonidas Kavakos had already won three major competitions: the Sibelius Competition in 1985, and the Paganini and Naumburg competitions in 1988. This success led to him recording the original Sibelius Violin Concerto (1903/4), the first recording of this work in history, and which won Gramophone Concerto of the Year Award in 1991.
Leonidas Kavakos was the winner of the Léonie Sonning Music Prize 2017. This prestigious prize is Denmark’s highest musical honour and is awarded annually to an internationally recognised composer, instrumentalist, conductor or singer. Previous winners include Leonard Bernstein, Benjamin Britten, Arthur Rubinstein, Yehudi Menuhin, Dmitri Shostakovich, Dietrich Fischer-Dieskau, Mstislav Rostropovich, Pierre Boulez, György Ligeti, Alfred Brendel, Daniel Barenboim and Sir Simon Rattle.
In the 2017/18 season Kavakos is Artist in Residence at both the Concertgebouw in Amsterdam and the Vienna Musikverein. He tours Europe with the Filharmonica della Scala and Chailly and tours Europe and Asia with the Gewandhausorchester Leipzig and Blomstedt. Elsewhere, he performs widely as soloist including with the Berlin Philharmonic, London Symphony Orchestra, Royal Concertgebouw Orchestra, Czech Philharmonic, Boston Symphony Orchestra, and Chicago Symphony Orchestra. Kavakos also gives the European premiere of Lera Auerbach’s Nyx: Fractured Dreams (Violin Concerto No. 4) with the ORF Vienna Radio Symphony Orchestra.
In December 2017 Kavakos embarked on a European recital tour with Yuja Wang, and in February 2018 he tours North America performing Brahms and Schubert trios with Yo-Yo Ma and Emanuel Ax. He will also appear in recital with regular chamber music partner Enrico Pace in Asia and Europe.
Latterly, Leonidas Kavakos has built a strong profile as a conductor, and has conducted the London Symphony Orchestra, New York Philharmonic, Boston Symphony Orchestra, Houston Symphony, Deutsches Symphonie-Orchester Berlin, Gürzenich Orchester, Maggio Musicale Fiorentino, Filarmonica Teatro La Fenice, and Budapest Festival orchestras. In the 2017/18 season he will conduct the Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Chamber Orchestra of Europe, Orchestre de la Suisse Romande, and Vienna Symphony.
As an exclusive recording artists with Decca Classics, his first release was Beethoven Violin Sonatas with Enrico Pace (January 2013), which was awarded the ECHO Klassik ‘Instrumentalist of the Year’. This was followed by the Brahms Violin Concerto with the Gewandhausorchester Leipzig and Riccardo Chailly (October 2013), Brahms Violin Sonatas with Yuja Wang, (March 2014), and "Virtuoso" (April 2016). He was awarded Gramophone Artist of the Year 2014. In September 2017 Leonidas Kavakos joins Yo-Yo Ma and Emanuel Ax on a record of Brahms Trios released by Sony Classical.
Leonidas Kavakos’ earlier discography encompasses recordings for BIS, ECM, and subsequently, for Sony Classical, Mendelssohn Violin Concerto (ECHO Klassik ‘Best Concerto Recording’) and Mozart’s Violin Concertos, conducting and playing with Camerata Salzburg.
Born and brought up in a musical family in Athens and still resident there, Kavakos curates an annual violin and chamber-music masterclass in Athens, attracting violinists and ensembles from all over the world and reflecting his deep commitment to the handing on of musical knowledge and traditions. Part of this tradition is the art of violin and bow-making, which Kavakos regards as a great mystery and to this day, an undisclosed secret. He plays the ‘Willemotte’ Stradivarius violin of 1734 and owns modern violins made by F. Leonhard, S.P. Greiner, E. Haahti and D. Bagué.
Vienna Philharmonic / Chailly, Eschenbach
Vienna Symphony / Afkham, Jurowski
Bayerische Rundfunk / Jansons
Berliner Philharmoniker / Rattle, Mehta
Gewandhausorchester Leipzig / Bringuier, Chailly, Blomstedt
Munich Philharmonic / Denève, Gergiev
WDR Symphony Orchestra / Saraste
Royal Concertgebouw Orchestra / Gatti, Gergiev, Jansons
London Symphony Orchestra / Rattle, Harding
London Philharmonic Orchestra / Jurowski
Orchestre de Paris / Temirkanov, Järvi
Orchestre de la Suisse Romande / Stenz
Accademia Nazionale di Santa Cecilia / Gergiev
Filarmonica della Scala / Chailly, Harding
Mariinsky Theatre Orchestra / Gergiev
Boston Symphony Orchestra / Nelsons, Denève
The Cleveland Orchestra / Noseda
New York Philharmonic / Gilbert, Haitink
Philadelphia Orchestra / Nézet-Séguin
San Francisco Symphony / Tilson-Thomas
Vienna Philharmonic Orchestra
Vienna Symphony Orchestra
Deutsches Symphonie-Orchester Berlin
Netherlands Radio Philharmonic Orchestra
Rotterdam Philharmonic Orchestra
London Symphony Orchestra
Chamber Orchestra of Europe
Orchestre Philharmonique de Radio France
Danish National Symphony Orchestra
Gothenburg Symphony Orchestra
Royal Stockholm Philharmonic Orchestra
Finnish Radio Symphony Orchestra
State Academic Symphony Orchestra of Russia
Singapore Symphony Orchestra
Accademia Nazionale di Santa Cecilia
Maggio Musicale Fiorentino
New York Philharmonic
Boston Symphony Orchestra
National Symphony Orchestra
Gramophone, May 2016
This is playing that sorts out the men from the boys. I doubt if there is more than a handful of violinists alive who can match Kavakos in the tonal variety, accuracy and speed of his harmonics, or in the deft alternation of bowing and left-hand pizzicato. In fact, I wonder if Paganini would have equalled him.
Guardian, January 2016
Leonidas Kavakos was the soloist, superbly articulate and incisive, yet rapturously lyrical.
Financial Times, April 2015
Shostakovich’s Violin Concerto No 1 in A minor … brought out the best in its soloist … an intriguing mixture of fierce energy and fierce self-restraint. At all points he put the music before showmanship.