Concerto repertoire
Beethoven
Piano Concerto No.1 in C Major Op.15
Piano Concerto No.2 in B-flat Major Op.18
Piano Concerto No.4 in G Major Op.58
Piano Concerto No.5 in E-flat Major Op.73
Triple Concerto
Chopin
Piano Concerto No.1 in E minor Op.11
Grande Polonaise Brillante in B-flat Major Op.22
Gershwin
Rhapsody in Blue
Piano Concerto in F
Grieg
Piano Concerto in A minor Op.16
Liszt
Piano Concerto No.1 in E-flat Major
Mozart
Piano Concerto No.9 in E-flat Major (“Jeunehomme”) K.271
Piano Concerto No.21 in C Major K.467
Piano Concerto No.23 in A Major K.488
Concerto for Two Pianos in E-flat major K.365
Concerto for Three Pianos in F major, K.242
Poulenc
Concerto for Two Pianos
Price
Piano Concerto in One Movement
Prokofiev
Piano Concerto No.1 in D-flat Major Op.10
Rachmaninoff
Piano Concerto No.2 in C minor Op.18
Ravel
Piano Concerto in G Major
Piano Concerto for the Left Hand
Saint-Saëns
Piano Concerto No.2 in G minor Op.22
Piano Concerto No.5 in F Major Op.103
Schumann
Piano Concerto in A minor Op.54
Shostakovich
Piano Concerto No.2 in F Major Op.102
Tchaikovsky
Piano Concerto No.1 in B-flat minor Op.23
Conductors
David Afkham
Christophe Altstaedt
Pierre Bleuse
Martyn Brabbins
Lionel Bringuier
Baldur Brönnimann
Elim Chan
Nicholas Collon
Alondra de la Parra
Charles Dutoit
Sir Mark Elder
James Feddeck
Thierry Fischer
Michael Francis
Fabian Gabel
Edward Gardner
Sir John Eliot Gardiner
Ruben Gazarian
Ben Gernon
Roberto González Monjas
Mirga Gražinytė-Tyla
Zsolt Hamar
Daniel Huppert
Marek Janowski
Neeme Järvi
Lü Jia
Emmanuel Krivine
Louis Langrée
Fabio Luisi
Rory Macdonald
Joanna Mallwitz
Jun Märkl
Jaime Martín
Santtu-Matias Rouvali
Valentina Peleggi
Andris Poga
Michael Schønwandt
Lahav Shani
Vassily Sinaisky
Leonard Slatkin
Gábor Takács-Nagy
Robin Ticciati
Jan van Steen
Gilbert Varga
Fabrizio Ventura
Emmanuel Villaume
Joshua Weilerstein
John Wilson
New York TimesHis passagework was lithe and sparkling; his phrasing lucid and shapely. Here was an insightful musician in action who brought out complexities in inner voices and gave an extra nudge to crucial rhythmic accents. He drew out mysterious moments, searching passages and milky textures. And he had a romping good time in the dancing rondo.
GuardianSchwizgebel was most impressive: slight of build but astonishingly powerful, he highlighted the dark drama of Ravel’s sonorities, yet it was the expressivity of the slow poetic lines that were most potent
Fono ForumThis young artist is a genuine virtuoso, a spirited young genius with real depth… he produces an astonishing range of different colours and tones, showing an unerring instinct for the drama and tension of the cycle’s artificial brilliance and demonic energy… There is only one thing to be said after this hour of inspired music-making: Bravo!