Welsh soprano Natalya Romaniw is one of Europe’s most promising young stars. Winner of the 2017 Critic’s Choice Award for Music, for her ‘big toned, generous, gut-wrenching performances’ (Sunday Times) and her ‘glowing voice capable of astonishing power’ (Financial Times), she is often hailed by the British press as ‘the outstanding soprano of her generation’ (Telegraph).
Highlights of her 18/19 season include her house debut with English National Opera as Mimi in Puccini’s La Bohéme. She will make highly anticipated returns to Garsington Opera as Mařenka, in Smetana’s The Bartered Bride, and to Opera Holland Park to take the title role in Tchaikovsky’s Iolanta. On the concert stage, she will give the world premiere of Mark Anthony Turnage’s Testament with the Bournemouth Symphony Orchestra, and will make her first solo recital recording in collaboration with pianist Lada Valesova, featuring repertoire by Dvořák, Janáček, Novák and Rachmaninov.
Natalya received unanimous critical acclaim in 2016 for her portrayal of Tatyana in Tchaikovsky’s Eugene Onegin at Garsington Opera. She has since performed the role with the Welsh National Opera, and in Oliver Mears’s new production for Scottish Opera. Other notable engagements include her European debut as Suzel in L’amico Fritz for Den Jyske Opera, Lisa in Pique Dame with Opera Holland Park and National Theatre Brno, title role in Janacek’s Jenůfa with Grange Park Opera, and Beethoven Symphony No. 9 with the Hallé orchestra under the baton of Sir Mark Elder.
She is a graduate of the Guildhall School of Music and Drama, where she was awarded the prestigious Gold Medal in her final year. Since graduating Natalya has gone on to win many competitions including the Loveday Song Prize and the renowned Kathleen Ferrier Awards in 2012; she was a prize winner in the Houston Grand Opera Eleanor McCollum Competition; the 2017 operatic nominee in The Times breakthrough category of the Southbank Sky Arts Awards, and a finalist for the Song Prize in Cardiff Singer of the World 2009. After graduating, Natalya joined the Houston Grand Opera Studio, where she debuted roles such as Mimi in Puccini’s La Bohème, Rosalinde in Die Fledermaus, Micaela in Bizet’s Carmen and Krystina in Weinburg’s The Passenger. After finishing her time with Houston Grand Opera, she returned as a guest for her role debut as Ortlinde in Wagner’s Die Walküre.
The outstanding soprano of her generation.
She is one of those singers who can just stand and sing - or just stand and listen - with huge effect: the concentrated essence of character she brings is a rare thing, and allied to a voice of some power and great depth of expression and colours, she is a major operatic phenomenon.
Star soprano... Natalya Romaniw virtually owns Tatyana, with her big bright Slavic tone and exquisite phrasing. She could even rein in her voluminous soprano at key moments of introspection. Make no mistake, this is a Tatyana in a thousand.