Danielle de Niese stars in Cendrillon at Glyndebourne Festival Opera conducted by John Wilson
Danielle de Niese returns to Glyndebourne Festival Opera from 8 June 2019 to star in the title role of Massenet Cendrillon, her debut in the role. She is joined by John Wilson, who returns to Glyndebourne following his critically acclaimed debut in 2016 when he conducted their first ever production of Madama Butterfly. He conducts a cast of Kate Lindsey, Agnes Zwierko and Nina Minasyan as Fiona Shaw’s original Tour production makes its Festival debut, re-directed by Fiona Dunn.
Massenet’s opera is based on Charles Perrault’s 1698 version of the Cinderella fairy tale, combining romance with broad, burlesque comedy. Musically, Massenet drew on a wide range of styles to bring the story to life, ranging from baroque dances to Wagnerian-inspired chromaticism.
Cendrillon is the latest in a string of highlights for de Niese, following her role debut as Musetta in Richard Jones’ production of La bohème at the Royal Opera House and Lyric Opera of Chicago, Norina Don Pasquale at La Monnaie and Wiener Staatsoper, Donna Elvira Don Giovanni at Semperoper Dresden and her highly anticipated debuts as Hanna Glawari The Merry Widow at Sydney Opera House and as Aldonza & Dulcinea The Man of La Mancha alongside Kelsey Grammer in the West End.
Next season, de Niese returns to LA Opera for the world premiere of Matthew Aucoin Eurydice, in which she sings the title role. She also makes her role debut as Blanche in Barrie Kosky’s new production of Dialogues des Carmélites at Glyndebourne and her house debut at New National Theatre Tokyo as Norina Don Pasquale.
Intermusica at the 125th BBC Proms
The BBC have announced the programme for the 125th BBC Proms, launching eight weeks of music-making of the highest quality, over 80 concerts and a host of world premieres. The festival also marks 150 years since the birth of Proms founder Sir Henry Wood and the 50th anniversary of the moon landings. As ever, Intermusica is well represented at the festival, with 24 artists taking part and our International Touring team bringing two world-class orchestras to the London stage. All concerts will be broadcast on BBC Radio 3 and several will be televised on BBC Four. See below for full details.
Mark Wigglesworth is joined by Nicola Benedetti and the National Youth Orchestra of Great Britain on 25 July. Wigglesworth conducts the London premiere of Lera Auerbach Icarus (2011) followed by Tchaikovsky Violin Concerto and Prokofiev Romeo and Juliet Suite. The concert will be televised on BBC Four on 28 July.
Simon Halsey and his numerous choirs feature throughout the Proms. On 29 July, the BBC Proms Youth Choir joins Omer Meir Wellber and the BBC Philharmonic for Haydn The Creation. Halsey then prepares the singers of the London Symphony Chorus and Orfeó Català as they join Sir Simon Rattle and the LSO to perform Walton Belshazzar’s Feast on 20 August. The concert will be shown on BBC Four on 23 August. Finally, more than 600 singers will unite for the European premiere of John Luther Adams In the Name of the Earth (2018) on 8 September.
On 2 August, the BBC Scottish Symphony Orchestra and Thomas Dausgaard perform Sir James MacMillan The Confession of Isobel Gowdie, which premiered at the Proms nearly 30 years ago in 1990. The concert will be televised live on BBC Four. MacMillan is currently celebrating his 60th birthday with a year of special performances – visit jamesmacmillan.co.uk to see the full MacMillan at 60 calendar.
Ben Gernon and the BBC Philharmonic (where he is Principal Guest Conductor) give two performances. On 5 August, Gernon conducts a programme of Malcolm Arnold Peterloo Overture, Rachmaninov Rhapsody on a Theme of Paganini with soloist Alexander Gavrylyuk and excerpts from Tchaikovsky Swan Lake. They repeat the concert the following morning in a Relaxed Prom, in which the concert environment is adapted to better suit audience members with autistic spectrum conditions, sensory, communication or learning difficulties.
On 10 August, Lise Davidsen reunites with Esa-Pekka Salonen and the Philharmonia Orchestra, with whom she recently recorded her highly anticipated debut album for Decca (out 31 May). She will sing Richard Strauss Op.27 Songs, which also feature on the album.
On 13 August, Martyn Brabbins conducts a special concert with personal significance: it features the world premiere of Pictured Within: Birthday Variations for M. C. B., a new take on Elgar Enigma Variations commissioned by the BBC to mark Brabbins’ 60th birthday. This unique work features a new set of variations by 14 living composers including Intermusica’s Brett Dean, Sally Beamish, Sir Harrison Birtwistle and Dai Fujikura – plus one distinguished mystery composer to write the theme. Brabbins also conducts Elgar’s original Variations as well as Vaughan Williams Serenade to Music and Brahms Song of Destiny, featuring the BBC Singers and English National Opera Chorus. The concert will be recorded for broadcast on BBC Four on 8 September.
Also on the 13 August, Martin James Bartlett performs in a late-night mixtape concert, exploring the fringes of Minimalism and meditative listening. Joined by 12 Ensemble, Tenebrae and director Nigel Short, Bartlett will perform the slow movement from Bach Keyboard Concerto in F minor; Chopin Nocturne in D flat major, Max Richter Vladimir’s Blues and Peteris Vasks Fruits of Silence.
Andreas Haefliger returns to the Proms on 19 August for the world premiere of a new Piano Concerto written especially for him by fellow Swiss musician Dieter Ammann. He is joined for the concert by the BBC Symphony Orchestra and Sakari Oramo. This new work is co-commmissioned by the Boston Symphony Orchestra, Konzerthaus Wien, Lucerne Festival, Münchner Philharmoniker and Taipei Symphony Orchestra.
Singers Sofia Fomina, Marta Fontanals-Simmons and Thomas Atkins appear in Glyndebourne Festival Opera’s production of Mozart The Magic Flute on 27 August. Fomina stars in the concert staging as Pamina while Fontanals-Simmons sings Second Lady and Atkins takes the roles of Second Priest and First Man in Armour.
Richard Egarr returns to the Proms on 30 August to conduct the Scottish Chamber Orchestra (with whom he has a long association) Handel Jeptha, part of a cycle celebrating the composer’s works. The cast features Tim Mead as Hamor and Cody Quattlebaum as Zebul.
Sir John Eliot Gardiner completes his epic five-season Berlioz series on 2 September, conducting a performance of his opera Benvenuto Cellini with his Monteverdi Choir and Orchestre Révolutionnaire et Romantique.
On 10 September, Intermusica brings the Czech Philharmonic and Semyon Bychkov to the Proms. The concert features Smetana The Bartered Bride, the Letter Scene from Eugene Onegin and Shostakovich Symphony No.8.
Nicholas Collon and his Aurora Orchestra return to the Proms on 12 September presenting another eagerly anticipated major symphony from memory. This year they present Berlioz Symphonie fantastique in an immersive theatrical staging. Collon and the orchestra will give a repeat performance in a late-night Prom that same evening and BBC Four will record the first performance for broadcast on 13 September.
As the festival draws to a close, Intermusica’s International Touring team brings a second orchestra to London: on 13 September, Andrew Manze returns with his NDR Radiophilharmonie Hannover for Beethoven Night, in which Manze conducts extracts from Fidelio and Symphony No.5, as well as music by Handel and Bach.
John Wilson makes debut with the Orchestra of the Age of Enlightenment conducting Gilbert & Sullivan
John Wilson returns to the Southbank Centre on 18 April 2019 to make his debut with the Orchestra of the Age of Enlightenment. Wilson conducts a programme of Gilbert and Sullivan favourites, including music from Trial by Jury, The Mikado, The Pirates of Penzance and HMS Pinafore. Soloists include Simon Butteriss (baritone), Michael Porter (tenor) and Simon Bailey (baritone).
Ahead of the concert, Wilson and Simon Butteriss visit BBC Radio 3 to appear on In Tune for an in-depth discussion of the programme. Click here to listen.
John Wilson receives ISM Distinguished Musician Award 2018 for services to music
John Wilson has been announced as the recipient of the prestigious ISM Distinguished Musician Award 2018 for his services to music. The award was presented to Wilson by the Incorporated Society of Musicians on 15 March during a rehearsal at the Royal Academy of Music.
Of the award, the ISM’s Chief Executive Deborah Annetts said:
“After careful consideration, the ISM is delighted to award John Wilson the ISM Distinguished Musician Award for his services to music. He is an eminent conductor, arranger and musicologist in his own right and also a delight to watch perform, whether it be a rousing performance of Rachmaninov Symphony No.2 or the glittering music from the golden age of Hollywood.”
The award, established in 1976, recognises outstanding contributions that an individual has made to musical life in the UK. Only one award is presented each year, and Wilson joins a renowned list of past recipients including Managing Director of the London Symphony Orchestra Kathryn Mcdowell, composer Oliver Knussen and soprano Dame Emma Kirkby.
On receiving the ISM Award, Wilson said:
“The roll call of previous recipients of the Incorporated Society of Musicians' Distinguished Musician Award is awe-inspiring. To be recognised by one’s peers is always humbling and I feel greatly honoured to find my name added to this illustrious list.”
Intermusica artists feature in the Southbank Centre's 2019/20 Classical Season
The Southbank Centre announced its 2019/20 Classical Season on 18 February, and Intermusica artists appear throughout. In addition to the Southbank Centre's world class annual programming, the new season also marks the start of Beethoven 250, the venue's year-long celebration of the composer's birth.
Southbank Centre Associate Artists Marin Alsop and Colin Currie both give multiple performances over the course of the season. On 9 November, Alsop conducts the London Philharmonic Orchestra in a performance of Walton Belshazzar's Feast alongside Butterworth A Shropshire Lad and Elgar Enigma Variations. She then returns in April for Beyond Beethoven 9, in which she leads the National Youth Orchestra of Great Britain and a massed choir of 200 singers in two performances of Beethoven Symphony No.9 together with four new commissions between the movements of the symphony.
Beyond Beethoven 9 is part of All Together: A Global Ode to Joy, an initiative in conjunction with Carnegie Hall which take place on five continents with nine orchestras and sees the symphony reimagined as a “twenty-first century call for unity, justice and empowerment”. Read our full story on All Together here.
Currie first appears at the Southbank in the 2019/20 season at the International Chamber Music Series, recreating the premiere of Steve Reich Drumming at the Hayward Gallery with the Colin Currie Group on 6 and 7 December. He performs in the series again on 1 February 2020 alongside the JACK Quartet. Finally he joins the Philharmonia Orchestra for an Artist Portrait concert in their Music of Today series on 14 May.
Kirill Gerstein joins the London Philharmonic Orchestra in concert on 23 October to give the UK premiere of Thomas Adès Piano Concerto, performing under the baton of the composer himself. He then returns to the Philharmonia Orchestra on 13 February 2020 alongside Lahav Shani, who conducts Gerstein in Rachmaninov Rhapsody on a Theme of Paganini as well as Prokofiev Overture to War and Peace and Romeo and Juliet.
Daniil Trifonov also gives two performances at the Southbank Centre. On 31 October, he performs a solo recital of Schumann, Beethoven and Prokofiev at the Royal Festival Hall. On 22 March 2020, he joins Michael Tilson Thomas and the San Francisco Symphony as the soloist for Rachmaninov Piano Concerto No.4, part of Tilson Thomas' final season at the head of the orchestra.
In 2020 Lise Davidsen performs with the long-standing chiefs of both the London Philharmonic Orchestra and Philharmonia Orchestra, Esa-Pekka Salonen and Vladimir Jurowski. On 19 March, she joins Salonen and the Philharmonia to sing Mahler Humeresken, a collection of settings of poems from Des Knaben Wunderhorn. Then on 4 April she performs Beethoven Cantata on the Death of Emperor Joseph II with Jurowski and the London Philharmonic Orchestra, part of the Beethoven 250 series.
Also appearing in the Southbank Centre's 2019/20 season are conductors Charles Hazlewood (28 September), Geoffrey Paterson (21 November), Andrew Manze (7 December), Mark Wigglesworth (4 February 2020), Emmanuel Krivine (14 February 2020), John Wilson (27 February 2020), Thierry Fischer (10 March 2020) and Nicholas Collon (16 May 2020); violinists James Ehnes (9 October) and Leonidas Kavakos (27 February 2020); singers Sofia Fomina (19 October), Susan Bickley (30 November), Mary Bevan (15 December), Susanna Hurrell and Simon Shibambu (15 January 2020), Patricia Bardon (1 February 2020), Joélle Harvey (20 February 2020) and Wallis Giunta (11 June 2020); pianists Andreas Haefliger (15 March 2020) and George Li (3 May 2020); and cellist Kian Soltani (27 February 2020).
Intermusica is proud to co-promote the International Chamber Music Series with the Southbank Centre, a relationship which has lasted for almost 30 years. Click here to read our full summary of the series in the 2019/20 season.
Click here for complete details for Southbank Centre's 2019/20 classical season.
Host of Intermusica artists featured in international Best of 2018 press picks
2018 was another fantastic year for Intermusica artists, with many singled out by the world’s top publications and broadcasters in their end-of-year highlight features. Read a selection below:
Daniil Trifonov featured in a plethora of publications including The Guardian, Sunday Times, New York Times, The New Yorker, NPR, Arts Fuse, Seen & Heard and New York Classical Review. His recent release on Deutsche Grammophon, Destination Rachmaninov: Departure, with Philadelphia Orchestra and Yannick Nézet-Séguin, was widely praised, as was his ‘Decades’ recital at Carnegie’s Zankel Hall, which Alex Ross of The New Yorker called “playing of unreal beauty”. A recital with mentor Sergei Babayan was highlighted in Boston Classical Review, with Trifonov deemed “among the most sensational keyboard artists of his generation” and Babayan “second-to-none in his own right.”
Also popular amongst critics was Sir John Eliot Gardiner, whose Carnegie Hall appearance with his Orchestre Révolutionnaire et Romantique, as part of Carnegie’s Berlioz Festival, drew glowing commentary. Gardiner’s Berlioz and Schumann exploration with the LSO, including an appearance at the 2018 BBC Proms, was similarly lauded (Arts Desk: “I reeled from… [Gardiner’s]… contributions … He sold instantly the ideas that wind and brass as well as upper strings… should stand”), and memorably enhanced by Antoine Tamestit’s take on Harold in Italy, which saw the soloist use theatrics to better inhabit the wandering eponymous hero (Tamestit’s Harold also came in for praise from Arts Desk, Limelight and New York Classical Review). Gardiner’s Verdi Requiem at the Concertgebouw and other venues was also mentioned by NRC and Seen & Heard.
British music champion Martyn Brabbins was singled out by several publications including The Guardian and Sunday Times, who included his releases of Tippett Symphonies 1& 2 (BBC Scottish Orchestra, Hyperion) and Ferneyhough: La Terre est un Homme (BBC Symphony Orchestra, NMC) in their recordings of the year round-ups.
Matthew Aucoin was picked out by WQXR for his opera Second Nature (on the topic of climate change) and “[making] the [classical] tradition more alive and urgent than ever.” Aucoin’s conducting skills impressed The New York Times, who noted his “instinct for tension” when conducting Peter Sellars’ Santa Fe Opera production of Doctor Atomic.
Colin Currie Group’s release of Drumming, the first on the new Colin Currie Records label, enchanted listeners with Arts Fuse calling it “one of – no, the – greatest recording of the piece to date” and The Boston Globe terming it “an ecstatic rendition…[which]…absolutely transports.”
Andrew Manze’s Mendelssohn symphony cycle with NDR Radiophilharmonie, where he is Chief Conductor, garnered praise from Arts Fuse, as did his moving War Requiem with the Royal Liverpool Philharmonic and NDR Radiophilharmonie at Liverpool Cathedral and in Hannover (one of Fiona Maddox at The Guardian’s Best of 2018), which saw British and German players unite to mark 100 years since the end of World War I.
Mark Wigglesworth was roundly praised by Seen & Heard (“typically first-rate conducting”), The Stage (“an exceptional musical performance”) and Arts Desk for his House of the Dead at the Royal Opera House; while over at English National Opera, Porgy and Bess, conducted by John Wilson, was a highlight for The Stage, The Guardian and Evening Standard.
Other notable recordings included Marin Alsop and the Baltimore Symphony Orchestra’s “eminently accessible” rendition of Prokofiev’s Romeo & Juliet (WQXR); Nora Fischer’s Hush – “radically unorthodox yet utterly gorgeous” (WQXR), Boris Giltburg’s Rachmaninov Piano Concerto No 2 with Royal Scottish National (Politiken); and Marek Janowksi’s “sumptuous Hindemith collection” on Pentatone (Arts Desk). Recordings by Francesco Piemontesi and Renaud Capuçon (Liszt Années de pèlerinage, Orfeo, and Bartok Violin Concertos Nos 1 & 2 with LSO, Hyperion) featured in The Sunday Times’ Classical Albums of the Year.
Lahav Shani’s new position as Chief Conductor of the Rotterdam Philharmonic Orchestra was noted as a special moment by Seen & Heard and NRC, while Giancarlo Guerrero’s performances with Boston Symphony Orchestra (“a spectacular, kinetic reading”) and Curtis Symphony Orchestra (“at once authoritative and at the same time warmly collaborative") were noted by Arts Fuse and Seen & Heard. Mischa Maisky’s Jansen/Maisky/Argerich Trio performance at the Barbican was deemed “chamber music writ large” and “opulent” by Arts Desk.
Singers singled out by cultural commentators included Lise Davidsen for her “superlative” performance in the title role in a “long overdue feminist reassessment” of Ariadne auf Naxos at Festival d’Aix en Provence (Seen & Heard), as well as for her involvement in the Royal Opera House and Antonio Pappano’s Verdi Requiem – “the classiest perfection imaginable, crowned by the phenomenal Lise Davidsen” (Arts Desk).
Fellow dramatic soprano Iréne Theorin was noted in Seen & Heard as a “commanding Isolde” in Staatsoper Berlin and Daniel Barenboim’s Tristan und Isolde, as was Natalya Romaniw, who sang "with grace and conviction” in the world premiere of Mark-Anthony Turnage’s Testament alongside the Bournemouth Symphony Orchestra and Kirill Karabits.
David Alden’s “fine Lohengrin” at the Royal Opera House was singled out by The Stage, as was Garsington’s first full-scale commission, The Skating Rink, featuring Susan Bickley creating the role of Carmen.
2018 ended well for Sir James MacMillan, whose Cumnock Tryst took the number one spot in Fiona Maddox’s Best Classical Music of 2018 list for its unique role in “revitalising a local community with world-class performances”. The Scotsman, looking ahead to 2019, noted “it’s going to be a big year for Scotland’s most high-profile composer” as MacMillan turns 60, celebrating with a host of concerts and new works.
"Idiomatic, impassioned conducting": critical acclaim for John Wilson's debut at English National Opera
John Wilson made his debut at English National Opera on 11 October 2018, leading the company in their first production of Gershwin Porgy and Bess. The production was directed by James Robinson and starred Eric Greene as Porgy and Nicole Cabell as Bess.
The production was met with great acclaim, with Wilson's conducting coming in for particularly strong notices. Read some of the reviews below:
"It is brilliantly conducted by John Wilson. This is a repertoire he knows inside out, and his passionate advocacy of Gershwin’s idiom...elicits world-class performances from the orchestra and from the international “ensemble”, who sing their hearts out in the big choral scene."
"John Wilson, in his first conducting gig for ENO, keeps rhythms pliant, speeds brisk but not too fast, allowing the hit-you-between-the-ears choruses breadth and grandeur."
“With the always inspirational John Wilson conducting the ENO orchestra, the music was in lively hands.”
"Thanks to some exceptional playing by English National Opera’s much put-upon orchestra, and the idiomatic, impassioned conducting of John Wilson, it’s Gershwin’s vividly colourful orchestrations that constantly tickle the ear."
“...it’s Gershwin’s music that wins out, played quite brilliantly by John Wilson and the ENO Orchestra.”
Porgy and Bess runs at English National Opera until 14 November.
John Wilson conducts English National Opera's first production of Porgy & Bess
John Wilson makes his debut with English National Opera on 11 October 2018, conducting their first ever staging of Gershwin’s popular opera Porgy and Bess. The production is directed by James Robinson (Artistic Director of Opera St Louis) and leading the cast are Eric Greene as Porgy and Nicole Cabell as Bess.
Wilson made his operatic debut at Glyndebourne in 2016 with a much heralded production of Madama Butterfly:
“[Wilson] conducts his first opera as one born to it, with bags of passion and a wonderfully instinctive feel for the ebb and flow of the score."
Porgy and Bess runs at English National Opera until 17 November.
John Wilson & the Bergen Philharmonic celebrate Leonard Bernstein at 100
On 20 and 21 September 2018 John Wilson joins the Bergen Philharmonic for two concerts celebrating the 100th anniversary of the birth of Leonard Bernstein. Wilson conducts a programme contrasting Bernstein's depictions of New York in Fancy Free, On the Town and West Side Story with his compatriot Samuel Barber's more pastoral Knoxville: Summer of 1915. Wilson and the orchestra are joined for the concerts by soprano Sarah Shafer.
Wilson is a highly regarded conductor of Bernstein's works and led performances of West Side Story and On the Town at this year's BBC Proms with the John Wilson Orchestra and London Symphony Orchestra. The concerts were met with great public and critical acclaim:
"John Wilson conducted his own orchestra with his customary flair and energy – the street scenes were as snappy as a flick-knife, while the more intimate episodes glowed with romantic ardour."
Telegraph, August 2018
"Wilson conducted with white-hot intensity, and the orchestral sound, with its plush strings and big-band brass, sent shivers down the spine."
Guardian, August 2018
"What John Wilson applied last night to make On the Town work...was precisely that classical focus, high on energy and cutting no slack. Never, surely, has the score been better played."
The Arts Desk, August 2018
John Wilson conducts On the Town at the BBC Proms with the London Symphony Orchestra
John Wilson conducts his second Bernstein musical of this year's Proms on 25 August 2018 when he leads the London Symphony Orchestra in the composer's On the Town. The concert marks the start of a full weekend of Bernstein celebrations to mark the composer's birthday, which was on 25 August 1918.
On the Town follows the adventures of three sailors on shore leave in New York City in 1944. An instant hit on Broadway, the musical features classic songs including ‘New York, New York’ and ‘Lonely Town’.
Wilson and the LSO are joined for the performance by Nathaniel Hackman as Gabey and Louise Dearman as Hickey. The concert will be broadcast live on BBC Four.
John Wilson conducts West Side Story at the BBC Proms
John Wilson returns to the BBC Proms on 11 August 2018 to conduct two performances of Bernstein West Side Story with the John Wilson Orchestra. Starring Mikaela Bennett as Maria and Ross Lekites as Tony, the rare performances of the authorised concert version also feature students from ArtsEd and Mountview.
Wilson and his orchestra are an annual fixture at the Proms, West Side Story follows two sold out performances of Oklahoma! at last year's festival:
"no orchestra swings like the JWO, or plays with such rhythmic sparkle and snap. But equally, no conductor appreciates the importance of an orchestration’s inner voices like Wilson, or is more adept at caressing a countermelody without letting it get in the way."
Spectator, August 2017
Intermusica at the 2018 BBC Proms
The BBC Proms returns this year on 13 July 2018, and as ever there is a strong Intermusica presence at the festival. This year sees returns for artists including Marin Alsop, Sir John Eliot Gardiner, John Wilson, Colin Currie and Antoine Tamestit, while Intermusica also brings the Accademia Nazionale di Santa Cecilia and the Baltimore Symphony to the festival as part of the Proms' celebrations of the centenary of Leonard Bernstein's birth. All concerts are broadcast live on BBC Radio 3.
On 15 July at 7pm, Colin Currie and Martin James Bartlett join an array of previous winners and finalists for a concert celebrating the 40th anniversary of BBC Young Musician. Currie performs Steve Reich Drumming – Part I with Colin Currie Group members and fellow BBC Young Musician competitors Sam Walton, Aiden Spillet and Owen Gunnell, while Martin James Bartlett performs in Saint-Saëns Carnival of the Animals.
Susan Bickley renews her relationship with the London Sinfonietta and Sir George Benjamin at 3pm on 21 July in a Prom at the Roundhouse in Camden. Bickley performs in a programme featuring a quartet of war-themed premieres as well as works by Stravinsky, Messiaen and Ives.
Simon Halsey leads the BBC Proms Youth Choir once again this year in concert with Donald Runnicles and the World Orchestra for Peace at 7.30pm on 21 July. They perform Shadow, a new, First World War-themed commission from Latvian composer Ēriks Ešenvalds. Also on the programme are Britten Sinfonia da Requiem and Beethoven Symphony No.9. Halsey returns in August for concerts with the London Symphony Chorus and Orchestra under Sir Simon Rattle and in September with the City of Birmingham Symphony Choruses with Andris Nelsons and the Boston Symphony Orchestra.
On 25 July, Ben Gernon returns to the Proms with the BBC Philharmonic Orchestra. Gernon, the orchestra’s Principal Guest Conductor, leads the BBC Philharmonic in the world premiere of Tansy Davies What did We See?, an orchestral suite from the composer’s recent opera Between Worlds. He also conducts Beethoven Piano Concerto No.5 ‘Emperor’ with soloist Paul Lewis and Brahms Symphony No.2. The concert starts at 7.30pm.
Martyn Brabbins conducts the BBC National Orchestra and Chorus of Wales in a programme celebrating English composer Hubert Parry at 7pm on 27 July. Brabbins conducts Parry’s Symphony No.5 and Hear my words, ye people! alongside works by his pupils Vaughan Williams and Holst. Tai Murray is the soloist in Vaughan Williams The Lark Ascending, while soprano Francesca Chiejina and bass-baritone Ashley Riches also feature.
Andrew Manze returns this year alongside the BBC Scottish Symphony Orchestra, conducting the orchestra in a London-focussed programme at 7pm on 31 July. The concert opens with Haydn Symphony No.104 ‘London’, and after the interval Manze conducts Vaughan Williams A London Symphony.
On 5 August, Brett Dean joins Thomas Dausgaard and the Swedish Chamber Orchestra for their Brandenburg Project. Over two concerts, the orchestra presents Bach’s six Brandenburg Concertos alongside six newly commissioned companion works. Dean performs as viola soloist in the second concert at 7.30pm, while his Approach – Prelude to a Canon is one of the companion works.
Nicholas Collon and his Aurora Orchestra make their annual appearance in a late-night Prom focussing on Shostakovich at 10.15pm on 6 August. Joined once again by BBC broadcaster Tom Service, Collon and the Orchestra unpack the composer’s Symphony No.9 before performing it from memory. The concert also features Shostakovich Piano Concerto No.2 with soloist Denis Kozhukhin.
Intermusica renews its relationship with the Accademia Nazionale di Santa Cecilia and Sir Antonio Pappano at 7.30pm on 10 August, bringing them to the Proms as part of the festival's celebrations for the Bernstein centenary (Bernstein was the orchestra's honorary conductor for a decade). Pappano conducts the composer's Symphony No.1 'Jeremiah' alongside Haydn The Creation - Chaos and Mahler Symphony No.1.
Renaud Capuçon appears at the Proms at 7pm on 16 August alongside the Orchestre de la Suisse Romande in its debut appearance at the festival. Capuçon is the soloist for Ravel Violin Sonata No.2, which has been orchestrated by Yan Maresz.
Marin Alsop conducts the Proms Scratch Orchestra in two free concerts at Maida Vale Studios on 26 August. The Scratch Orchestra, made up of amateur musicians and members of the BBC Concert Orchestra, performs movements from Shostakovich Symphony No.5.
Joshua Weilerstein returns to the Proms at 7.30pm on 26 August to conduct the Royal Philharmonic Orchestra in a tribute to Leonard Bernstein’s televised Young People’s Concerts. Utilizing words, projections and music, the concert features works including Stravinsky The Rite of Spring, Ligeti Apparations and Debussy La mer alongside works by Bernstein and Beethoven.
Wallis Giunta makes her Proms debut at 1pm on 27 August, leading a recital of works by Bernstein and his associates at Cadogan Hall. As well as works by Copland, Sondheim and Barber, the concert features the world premiere of a new song by British composer Bushra El-Turk, Crème Brûlée on a Tree, inspired by Bernstein’s recipe settings.
Marin Alsop returns to the Proms at 8pm on 27 August as Intermusica brings the Baltimore Symphony Orchestra to the festival for a concert of Bernstein and Shostakovich with pianist Jean-Yves Thibaudet.
Sir John Eliot Gardiner and the Orchestre Révolutionnaire et Romantique return to the Proms at 7.30pm on 5 September for a programme of Berlioz. They are joined by Antoine Tamestit, who performs Harold in Italy, while Joyce DiDonato sings arias from Le mort de Cléopatre and Les Troyens.
Russell Braun joins the Royal Scottish National Orchestra under Peter Oundjian at 7pm on 6 September as the baritone soloist in Britten War Requiem. Braun performs alongside Erin Wall and Allan Clayton.
John Wilson conducts Bernstein celebration in Hong Kong Philharmonic debut
John Wilson makes his debut with the Hong Kong Philharmonic Orchestra on 6 and 7 July 2018, bringing the orchestra's season to a close with a celebration of Leonard Bernstein.
Wilson conducts the orchestra in a programme featuring music from West Side Story, Candide, On the Town, Wonderful Town, On the Waterfront, Trouble in Tahiti and Peter Pan. Wilson and the orchestra are joined by vocalists Lorina Gore, Louise Dearman, Nadim Naaman and Nathaniel Hackmann.
Wilson recently conducted his Bernstein Stage & Screen programme with his John Wilson Orchestra at the Aldeburgh Festival and the Sydney Symphony Orchestra:
"Overall, this concert reminded us that while Bernstein was a populist composer he was by no means lightweight: his music is full of complex rhythms, tricky harmonic shifts, and above all an extraordinary range of orchestral colours. Conductor John Wilson balanced precision and excitement expertly and the orchestra clearly enjoyed working with him."
Limelight Magazine, May 2018
John Wilson conducts three concerts at the opening of the Aldeburgh Festival
John Wilson returns to the Aldeburgh Festival for two performances with the BBC Scottish Symphony Orchestra on 8 and 9 June 2018. Wilson leads the orchestra in two programmes featuring works by Britten, Copland and Bernstein with soloists Cédric Tiberghien, Robert Murray and Pavel Kolesnikov. Wilson has received critical acclaim for his first three discs of Copland’s complete orchestral works on Chandos, which recorded with the BBC Scottish:
"What struck me most of all about the disc as a whole was the delicacy and subtlety, the infinite varieties of light and shade, that Wilson conjures from Copland’s scores: every single phrase of all the works presented here feels truly balletic, and the music never stops dancing."
"John Wilson shows an instinctive flair for Copland's syncopated and changing rhythms, and brings out all the music's touches of broad humour and intimate poetry."
BBC Music Magazine
Following this, Wilson conducts an all-Bernstein programme with his own John Wilson Orchestra at the festival on 10 June.
John Wilson returns to the Sydney Symphony Orchestra
John Wilson returns to Sydney Symphony for two weeks of subscription concerts from 10 May 2018. On 10, 11 and 12 May, Wilson conducts his Bernstein Stage & Screen programme featuring Julian Ovenden, Kim Criswell and Lorina Gore as soloists. Wilson has previously performed this programme with his own John Wilson Orchestra at the BBC Proms, Royal Concertgebouw Orchestra and Gothenburg Symphony.
The programme for Wilson’s second week with the orchestra includes Elgar’s arrangement of Bach Fantasia and Fugue in C minor, Prokofiev Piano Concerto No.3 with Czech pianist Lukáš Vondráček, and Elgar Symphony No.2, and take place on 16, 18 and 19 May. All performances are at Sydney Opera House.
Wilson’s debut performances with the Orchestra in 2016 were met with critical acclaim:
"Wilson was very much on his home turf here and extracted a top-notch performance from his forces... Wilson showed why he is noted for building a following among audiences... getting the best out of the Sydney Symphony and producing a performance which evoked all the life and contrasts of a day in the life of a great city in Edwardian times."
Daily Telegraph, June 2016
Ning Feng makes debut with the BBC Scottish Symphony Orchestra and John Wilson
Ning Feng makes his debut with the BBC Scottish Symphony Orchestra on 15 March 2018, performing Bernstein Serenade after Plato's Symposium under the baton of John Wilson. The concert takes place at City Halls Glasgow, and the programme also includes Roy Harris Symphony No.3 and Copland Appalachian Spring.
Ning recently performed the piece with Konzerthausorchester Berlin and Iván Fischer, and reviews praised his “direct, highly virtuosic approach” and “shimmering sea of colour”.
Earlier in the same month, Ning returns to the Calgary Philharmonic Orchestra with Rune Bergman for two performances of Tchaikovsky Violin Concerto. Ning recorded the piece for Channel Classics in 2014, and the disc was met with critical acclaim:
“With so many muscular performances of the Tchaikovsky Violin Concerto already in the catalogue, it is pleasing to welcome Ning’s smooth and refined approach to the work’s opening movement – even in the cadenza he imparts musicianship rather than outgoing virtuosity… He has a laid-back approach to the central Canzonetta, and though it never lacks excitement, he avoids the usual hectic dash through the finale.”
Intermusica at the Southbank Centre's 2018/19 classical season
The Southbank Centre launched its 2018/19 classical season on 30 January 2018, with Intermusica artists and performing throughout the year. Highlights include Marin Alsop continuing her relationship with the Southbank in concerts with the Orchestra of the Age of the Enlightenment and the London Philharmonic Orchestra, Nicholas Collon and the Aurora Orchestra continuing their residency, and performances from Leonidas Kavakos, John Wilson, Kian Soltani and George Li.
Another major highlight of the season is the International Chamber Music Series, which Intermusica co-promotes with the Southbank Centre. This year it opens with a concert from Jordi Savall and his Hesperion XXI and features a concert marking the centenary of author Muriel Spark from the Nash Ensemble, and performances from Leonidas Kavakos and Yuja Wang, the Jerusalem, Artemis and Belcea quartets, and performances of Stockhausen by Southbank Centre Artist in Residence Pierre-Laurent Aimard.
Nicholas Collon and the Aurora Orchestra continue as Associate Orchestra with three concerts in the new season. The first, on 16 September 2018, pairs a memorized performance of Beethoven Symphony No.5 with HK Gruber's Frankenstein!! in a concert conceived and directed by Jane Mitchell. Their second, on 20 January 2019, is titled Songs from the Road and features Mahler's Songs of a Wayfarer, arrangements of folk ballads and the world premiere of Du Yun Where we lost our shadows. Their final concert takes place on 5 June 2019 and features works by Beethoven, Thomas Adès, a Max Richter world premiere and Mozart's Symphony No.41.
Kirill Gerstein renews his partnership with Thomas Adès when he joins the composer and the London Philharmonic Orchestra on 26 September to perform Adès' concerto for piano and orchestra, In Seven Days.
Geoffrey Paterson returns to the London Sinfonietta on 13 October to conduct them in a performance of Pascal Dusapin Passion, a collaboration with Music Theatre Wales.
Patricia Bardon returns to the role of Baba the Turk in a performance of Stravinsky The Rake's Progress with Vladimir Jurowski and the London Philharmonic Orchestra on 3 November.
Lahav Shani and Francesco Piemontesi join forces for a concert of Brahms and Beethoven with the Philharmonia Orchestra on 4 November. Shani conducts Weber Oberon Overture, Brahms Symphony No.1 and Beethoven Piano Concerto No.5 'Emperor', with himself as piano soloist.
Marin Alsop makes her first visit of the season on 11 November, conducting the Orchestra of the Age of Enlightenment in a performance of Brahms Ein deutsches Requiem. She then returns on 16 January to conduct the London Philharmonic Orchestra in a contemporary programme with Colin Currie giving the world premiere of Helen Grime's Percussion Concerto.
John Wilson returns to the Philharmonia Orchestra on 15 November for a concert of Gershwin and Walton. He is joined by Louis Schwizgebel, who performs Gershwin Piano Concerto. Wilson then brings his John Wilson Orchestra to the Southbank Centre on 15 December, leading them in a characteristic programme of music from Hollywood and Broadway. He returns on 18 April to lead the Orchestra of the Age of Enlightenment in a special performance of Gilbert & Sullivan Trial by Jury.
Mary Bevan joins the Philharmonia Orchestra and conductor Brian Wright for a seasonal performance of Handel's Messiah on 16 December.
Leonidas Kavakos appears at the Southbank Centre's International Chamber Music Series on 18 January alongside Yuja Wang, performing a recital of Mozart, Prokofiev, Bartók and Strauss.
Martyn Brabbins joins the Philharmonia Orchestra on 20 January 2019 to conduct an English programme of Elgar, Vaughan Williams, Britten and the London premiere of Geoffrey Gordon's Prometheus, a concerto for bass clarinet and orchestra.
Jacques Imbrailo joins the Mozartists and conductor Ian Page on 29 January for the next concert in their Mozart 250 series, which is themed around the year 1769. Imbrailo sings arias by Gluck, Haydn, Arne, Gréty and Paisiello.
Susan Bickley returns to the Southbank Centre to sing Beethoven Symphony No.9 alongside the Royal Philharmonic Orchestra and conductor Oliver Gooch on 16 March.
Kian Soltani returns on 23 March after his acclaimed debut at Southbank Centre with the West–Eastern Divan Orchestra. This time he joins Edward Gardner and the London Philharmonic Orchestra to play Elgar Cello Concerto.
George Li joins Vasily Petrenko and the London Philharmonic Orchestra on 27 March to perform Tchaikovsky Piano Concerto No.1, part of a programme that also features Khachaturian Adagio of Spartacus and Phrygia and Walton Symphony No.1.
Following a critically acclaimed London conducting debut with the National Youth Orchestra of Great Britain in 2017, Carlos Miguel Prieto returns to lead the young musicians in a concert on 12 April. Prieto conducts an exciting programme of Revueltas, Carlos Chávez and Copland.
Francesco Piemontesi returns to the International Piano Series on 2 May, performing a solo recital of works by Bach, Debussy and Rachmaninov.
Martin James Bartlett joins the Philharmonia Orchestra on 7 May to perform Ravel Piano Concerto in G, part of a programme that also features the world premiere of Cecilia McDowall Da Vinci Requiem.
John Wilson debuts with the Budapest Festival Orchestra & Gothenburg Symphony
John Wilson makes his debut with the Budapest Festival Orchestra on 4 February 2018, conducting a programme marking the centenary of Leonard Bernstein. The performance features Gershwin Rhapsody in Blue with Dejan Lazic as soloist and Bernstein West Side Story Symphonic Dances, and takes place at Budapest Palace of Arts.
Also in February, Wilson makes his debut with Gothenburg Symphony Orchestra, again marking the 100th anniversary of Bernstein's birth. Wilson joins the orchestra for two concerts on 9 and 10 February, conducting programmes of music from stage and screen, including songs from West Side Story, Candide and On The Town among others. The featured soloists are Julian Ovenden, Kim Criswell, Scarlett Strallen and Nadim Naaman.
Following this, Wilson returns to BBC Scottish Symphony Orchestra in the capacity of Associate Guest Conductor, for three performances in Glasgow on 15 February, Inverness on 16 February and Edinburgh on 18 February. The programme features Elgar’s Cockaigne and Cello Concerto with soloist Leonard Elschenbroich, and Walton’s Symphony No.1.
Intermusica artists featured in Best of 2017 critics' picks
At the end of each year we look forward to reading critics’ musical highlights from the last 12 months; we’re delighted to see many of our artists featured in a host of such round-ups.
A standout achievement of the year was Sir John Eliot Gardiner’s Monteverdi 450 tour, which was praised globally. The tour commemorated the 450th anniversary of the composer’s death and visited the Berlin Festival, Philharmonie de Paris, the new National Forum of Music in Wrocław, and the Salzburg, Edinburgh International and Lucerne festivals, as well as Bristol’s Colston Hall, Aix-en-Provence, Barcelona’s Palau de la Música Catalana and a historic residency at Teatro La Fenice in Venice, the composer's adopted home. Hugh Canning in the Sunday Times praised it as “dazzling”, while it was also chosen as one of the highlights of the year by the Guardian and Alex Ross of the New Yorker, who praised the “deft, vivid” productions that confirmed that “the first great opera composer remains the master of the game.” It was also chosen by the Herald Scotland, The Arts Desk, New York Classical Review and Chicago Classical Review.
Another highlight was the world premiere run of Brett Dean’s Hamlet at Glyndebourne Festival Opera. Hugh Canning picked it as his operatic highlight of the year in the Sunday Times, and it also featured in round-ups in the Evening Standard, The Arts Desk and The Stage.
Hugh Canning also praised David Butt Philip’s “searing” performance in Elgar’s The Dream of Gerontius with Sir Mark Elder and the Hallé.
Nicholas Collon’s Prom with his Aurora Orchestra, in which he conducted Beethoven’s Eroica Symphony from memory, was chosen as one of the Evening Standard’s highlights of the classical year, as was the Leipzig Gewandhausorchester’s visit to London. The orchestra’s performance at the Barbican featured Intermusica artists Leonidas Kavakos and Kirill Gerstein performing Beethoven’s Triple Concerto, and was part of the orchestra’s 275th anniversary tour, which Intermusica brought to Europe and Asia.
Several Intermusica artists also featured in The Arts Desk’s round-up of the best concerts and opera performances. In the concert round-up, Mark Wigglesworth’s Prom with the BBC Philharmonic was highlighted thanks to a “miraculous” performance of Haydn Symphony No.99. Kian Soltani was highly praised for his performance of Strauss Don Quixote at the Southbank Centre with the West-Eastern Divan Orchestra, with The Arts Desk writing that it was “quite the most vivid” critic David Nice had heard live. Nice also cited HK Gruber for his performance as conductor and chansonnier in his Frankenstein!! at the Royal Stockholm Philharmonic Orchestra’s composer festival.
In The Arts Desk’s opera round-up, Martyn Brabbins’ performance of Harrison Birtwistle’s The Last Supper with the BBC Scottish Symphony Orchestra “kicked off the year in thoughtful, complex style”, while David Nice also gave special mention to Wallis Giunta, writing that she was the “young singer of the year in my books” for her performances in L'enfant et les sortileges and Trouble in Tahiti in Opera North's well-received Little Greats series of one-act operas. Giunta was also named 'Breakthrough Artist in UK Opera' in the WhatsOnStage Opera Poll.
Meanwhile, Sir John Eliot Gardiner’s new recording of Bach St Matthew Passion, made with the Monteverdi Choir and English Baroque Soloists, was chosen as one of Gramophone’s Critics’ Choice, as was Boris Giltburg’s account of Rachmaninov Piano Concerto No.2 with Carlos Miguel Prieto and the Royal Scottish National Orchestra.
Composer and music writer Robert Hugill picked John Wilson’s recording of Walton’s Façade as one of his top recordings of the year. Also featured were Sir James MacMillan’s “powerful” Stabat Mater and Martyn Brabbins’ latest entry in the Romantic Piano Concerto series for Hyperion, this time featuring the piano concertos of Roger Sacheverell Coke.
The Pavel Haas Quartet once again found great critical success with their latest CD, which featured Dvorák Piano and String Quintets and was made with Boris Giltburg and founder and former member Pavel Nikl. The album was chosen as one of the records of the year by the Boston Globe and WQXR.
John Wilson debuts with the Bergen Philharmonic
John Wilson makes his debut with Bergen Philharmonic on 11 and 12 January 2017 with a programme celebrating music from Hollywood, featuring works by Korngold, Waxman, Rozsa and John Williams. Wilson has recently performed this programme with the Swedish Radio Orchestra, Oslo Philharmonic and Sydney Symphony to critical acclaim:
"[Wilson] understands how this music should be played, is a mine of anecdotal information, and communicates it to orchestras and audiences alike with a relaxed determination that’s utterly infectious... a fastidious conductor, never tempted to wallow, always seeking clarity and a real stickler for details. His beat is clean and clear, his stance determined."
Wilson then returns to the City of Birmingham Symphony Orchestra to perform a Bernstein programme with a cast including Kim Criswell, Julian Ovenden and University of Birmingham Voices. The performance takes place at Symphony Hall on 24 January.
John Wilson makes debut with the Deutsches Symphonie-Orchester Berlin in three New Year's Concerts
John Wilson makes his debut with the Deutsches Symphonie-Orchester Berlin this month, joining the orchestra for three New Year’s concerts taking place on 31 December and 1 January at Berlin Tempodrom.
The performances, entitled From Barber to Broadway, feature a wide variety of American repertoire from film, the stage and the concert hall, and also feature accompanying performances from artists from Circus Roncalli.
Wilson begins 2018 with another debut, this time with the Bergen Philharmonic: he leads the orchestra in two concerts of 20th-century film music, titled Hollywood Rhapsody.
John Wilson returns to the Philharmonia Orchestra
John Wilson performs British and American repertoire with several UK orchestras throughout November, beginning with the Philharmonia Orchestra at London’s Royal Festival Hall on 9 November 2017. Wilson conduct the orchestra in a programme of Holst The Planets and Vaughan Williams Symphony No.7 ‘Sinfonica antartica’. Wilson and the orchestra also give a concert at Canterbury's Marlowe Theatre on 8 November, when they perform The Planets alongside Bruch’s Violin Concerto No.1 with British violinist Callum Smart and Nicolae The Merry Wives of Windsor: Overture.
Following this, Wilson returns to the BBC Philharmonic Orchestra for a concert in Nottingham on 17 November. The all-Copland programme includes the composer’s Symphony No.3 and Corral Nocturne from Rodeo.
Wilson then returns to BBC Scottish Symphony Orchestra for his first concert with the orchestra of the season with a performance in Aberdeen on 26 November. The programme includes Elgar’s ‘Enigma’ Variations, as well as Grieg’s Holberg Suite and Glazunov’s Violin Concerto with Roman Simovic.
John Wilson makes debut with the Oslo Philharmonic
John Wilson travels to Norway this month to make his debut with the Oslo Philharmonic Orchestra on 12 and 13 October 2017. Wilson joins the orchestra at Oslo's Konserthus for an orchestral programme celebrating Hollywood’s best scores, including music by Korngold, Waxman and Rosza among others. The concert on 12 October will be broadcast live on NRK.
Following this, Wilson makes a second Scandinavian debut of the month, this time with the Malmo Symphony Orchestra on 19 October. Wilson conducts the orchestra in a programme of Britten Sinfonia da Requiem, Barber Knoxville: Summer of 1915 and Rachmaninov Symphony No.3.
Intermusica's summer in reviews
2017 marked another highly successful summer for Intermusica's artists, who gave critically acclaimed performances at festivals all over Europe. Read a small selection of reviews below.
Brett Dean's Hamlet received its world premiere at Glyndebourne in June and was greeted with universal acclaim. The Sunday Times called it "the operatic event of the year", while in a five star review the Times wrote that “Dean’s skill at creating a supercharged orchestral subtext to each scene is matched by his immense theatricality. Quite apart from his unerring pacing of the story, he also creates at least a dozen moments where sheer sonority alone sends shivers up the spine… The overall impression is of a richly imaginative composer at the top of his game.”
Lise Davidsen made a critically acclaimed UK operatic debut in the title role of Ariadne auf Naxos at Glyndebourne Festival Opera in June. Described as possessing "one of the greatest voices I have ever head" by the Observer, Davidsen's debut was described as "one of those 'I was there' moments" by the Times.
Joshua Weilerstein made an "auspicious" debut at the Proms on 19 July, conducting the BBC Symphony Orchestra and his sister Alisa Weilerstein in a programme of Rebel, Berlioz and Pascal Dusapin. Classical Source praised his "admirably prepared and presented" Symphonie fantastique.
Nicholas Collon and his Aurora Orchestra returned to the Proms to perform another symphony from memory on 22 July. This time, they performed Beethoven Symphony No.3 ‘Eroica’, preceded by Strauss Metamorphosen. The Times called it “gripping stuff… an astonishing feat of concentration. With Nicholas Collon favouring speeds ranging from zippy to hair-raising, there was virtuosity all around the band too…an impassioned account of Strauss’s desolate but gorgeous Metamorphosen.”
The Pavel Haas Quartet made a stellar return to the Verbier Festival on 22 July, with Bachtrack praising the quartet for their "old-fashioned virtues of watchfulness, aural alertness and intense concentration... From the micro-perfection of its opening chord to an ethereally feathered final note, this was an Allegro con brio of unfolding joys."
Michel van der Aa was the Composer in Residence at this year's Lucerne Festival, with his works performed throughout the festival. The Luzerner Zeitung praised his "easy handling of current technological possiblities", while the Neue Zurcher Zeitung wrote that his "music theatre of beguiling opulence... might offer a view of the future of opera".
Mark Wigglesworth was joined by pianist Stephen Hough and the BBC Philharmonic at the Royal Albert Hall on 29 July to perform Brahms Piano Concerto No.1, David Sawyer The Greatest Happiness on Earth and Haydn Symphony No.99. The Sunday Times claimed that Wigglesworth demonstrated "the most authoritative conducting, instantly masterly, I’ve witnessed so far at these Proms, Bernard Haitink’s appearance apart. And Wigglesworth seems close to Haitink’s level... One knew all would be right about this account because Wigglesworth’s intensity was unanswerable.”
Sir John Eliot Gardiner had a busy summer, performing twice at the Proms as well as continuing the Monteverdi Trilogy tour at the Salzburg, Edinburgh and Berlin festivals. His Proms performance of Berlioz La damnation de Faust with the Orchestre Revolutionnaire et Romantique was described as "thrilling" by the Observer in a five star review, while the Salzburger Nachrichten praised the Monteverdi Trilogy performances at the Salzburg Festival: "The harmony and the symbiotic relationship of the performers and their conductor has reached a degree of perfection, which shows style, form awareness and playful freedom."
John Wilson gave two performances at the BBC Proms this year, with the BBC Scottish Symphony Orchestra and his John Wilson Orchestra. This year, Wilson led the JWO in two critically acclaimed performances of Rogers & Hammerstein Oklahoma! on 11 August: "no conductor appreciates the importance of an orchestration’s inner voices like Wilson, or is more adept at caressing a countermelody without letting it get in the way." (Spectator)
Andreas Haefliger returned to the Edinburgh International Festival this year, giving an "inspiringly commanding" solo recital in August: "Haefliger the thinker is also the pianist who held this audience enthralled until they leapt to their feet at the end, cheering." (Herald Scotland)
Also in Edinburgh, Richard Egarr led Iestyn Davies and the Academy of Ancient Music in two performances of Bach and Telemann. The Scotsman praised the performances, which were "delivered with a style and panache that lifted the notes clean off the page with their precisely pointed rhythms."
Chicago Symphony Orchestra’s Beyond the Score® was presented at the Proms on 23 August in “an excellent evening of innovation” (Bachtrack), with a a multi-media exploration of the symphony directed by Beyond the Score founder Gerard McBurney presented alongside a performance of Dvorák Symphony No.9 ‘From the New World’ from the Hallé Orchestra and Sir Mark Elder.
Leonidas Kavakos reunited with Riccardo Chailly on 25 August, as Intermusica brought the conductor and his Filarmonica della Scala to the Proms to perform Brahms and Respighi. Kavakos performed the Brahms Violin Concerto, a performance which was praised for the "the way he made the music breathe and sing in lyrical, expansive paragraphs while remaining continuously alert both to subtleties of meaning and absolute directness of expression." (Guardian)
Kirill Gerstein continued his partnership with Semyon Bychkov on 31 August, joining the conductor and the BBC Symphony Orchestra to perform Rachmaninov Piano Concerto No.1:
"[Gerstein] delivered the slow movement with improvisatory freedom and dazzled with crystalline virtuosity in the finale." (Daily Telegraph)
John Wilson conducts Vaughan Williams & Holst at the BBC Proms
John Wilson returns to the BBC Proms once again this year, performing with the BBC Scottish Symphony Orchestra on 25 July 2017. Wilson conducts the orchestra in a programme of Vaughan Williams Symphony No.9 and Holst The Planets. Wilson has received critical acclaim for his performances of Vaughan Williams Symphonies in recent concerts, including with the Philharmonia Orchestra in February:
"On this showing Wilson proved himself to be a master of the idiom and of structural control and command... Wilson had this music firmly in his grasp, yielding at just the right moments, and producing a splendiferous coda."
Wilson makes a second return to the Proms in August for his annual performances with the John Wilson Orchestra, conducting two performances of Rodgers and Hammerstein’s Oklahoma! on 11 August.
John Wilson makes debut with the Royal Concertgebouw Orchestra
John Wilson travels to Amsterdam this month to make his debut with the Royal Concertgebouw Orchestra on 7 July 2017. Wilson conducts the orchestra in an all-Bernstein programme at the Concertgebouw, showcasing the best of the composer’s works from stage and screen, including songs from On The Town, Wonderful Town, Candide and West Side Story, among others. Soloists include Kim Criswell, Scarlett Strallen, Julian Ovenden and Nadim Naaman. The performance will be broadcast live on Avrotros Radio.
Wilson has received universal critical acclaim for his conducting of Bernstein, with his performance at the 2015 BBC Proms with the John Wilson Orchestra described as “almost as mesmerising, in capturing the rambunctious, provocative, tender, greathearted spirit of the man” (The Times) as Bernstein’s own Proms debut.
Another critic said: “Wilson conducted with a rare combination of relaxed understatement, which coaxed things along with an easy swing, and exactitude which ensured that no detail was overlooked and the players cohered meticulously... Wilson demonstrated consummate appreciation of both the power of the details and the impact of the whole.” (Opera Today)
Listen to John Wilson’s critically-acclaimed performances with the BBC Scottish Symphony Orchestra
Three of John Wilson’s recent performances are currently available on the BBC website. The first, Wilson's inaugural performances as Associate Guest Conductor of the BBC Scottish Symphony Orchestra on 16 March 2017, features a performance of Korngold's rarely-performed Symphony. Click here to listen (available until 31 May).
Wilson’s also conducted the orchestra in a performance of Britten Serenade for Tenor, Horn and Strings and Elgar Symphony No.3, on 27 April - click here to listen (available until 23 May). The performance was praised by critics:
“Wilson found a profound, pulsating cohesion missing from previous interpretations. Besides the raw, immediate presence of the opening theme and the caressing gorgeousness of its quick-to-act counterfoil, a contrast that sets the heaving and opulent expressive agenda for the whole work, Wilson insisted on pinpoint clarity of texture.”
“This programme of 20th-century English music included the most compelling account of Anthony Payne's completion of Elgar's Third Symphony I think I've heard… the third movement undoubtedly sounds like the statement of a dying man, but in Wilson's hands was still appealingly dramatic and even cinematic… The second movement Scherzo, however, seemed playful and Frenchified in its dialogue between winds and strings.”
Wilson discusses his relationship with the orchestra in an interview with the Guardian, found here.
Wilson also joined the City of Birmingham Symphony Orchestra to perform Vaughan Williams and Bax alongside Simon Halsey's CBSO Chorus on 10 May. Click here to listen (available until 9 June).
John Wilson continues exploration of British music with the City of Birmingham Symphony Orchestra
John Wilson makes his third appearance of the season with the City of Birmingham Symphony Orchestra on 10 May 2017, continuing his exploration of British music following previous performances in March of Gilbert & Sullivan Yeoman of the Guard and a programme of short pieces by British composers at Birmingham’s Symphony Hall.
For this performance, Wilson conducts a programme of Vaughan Williams Fantasia on a Theme by Thomas Tallis and Five Tudor Portraits, with Simon Halsey directing the CBSO Chorus, and Bax November Woods.
The performance takes place on 10 May and will be broadcast live on BBC Radio 3.
Intermusica at the 2017 BBC Proms
The BBC announced the line-up for the 2017 Proms on 20 April 2017, and as ever Intermusica artists and orchestras play a leading role in the festival. Every Prom is broadcast live on BBC Radio 3 and on the BBC website, with select concerts broadcast on BBC television live or at a later date.
Simon Halsey’s Proms Youth Choir give the opening concert of the Proms on 14 July, performing John Adams Harmonium alongside the BBC Symphony Chorus and BBC Symphony Orchestra conducted by Edward Gardner.
Joshua Weilerstein makes his debut at the Proms on 19 July, conducting the BBC Symphony Orchestra at 7.30pm the Royal Albert Hall. Weilerstein conducts a programme of Rebel Les élémens – le chaos, Berlioz Symphonie fantastique and Pascal Dusapin’s cello concerto Outscape, for which he is joined by his sister, cellist Alisa Weilerstein.
Nicholas Collon and his Aurora Orchestra return to the Proms to perform another symphony from memory at 7.30pm on 22 July. This time, they perform Beethoven Symphony No.3 ‘Eroica’, preceded by an introduction from Tom Service accompanied by excerpts from Collon and the orchestra. The programme for the concert also includes Strauss Metamorphosen.
John Wilson makes the first of two appearances at this year’s Proms at 6.30pm on 25 July when he performs with the BBC Scottish Symphony Orchestra. Wilson, the orchestra’s Associate Guest Conductor, leads the orchestra in a programme of Vaughan Williams Symphony No.9 and Holst The Planets.
Christopher Purves also makes two appearances at the Proms this year, with his first coming on 27 July. Purves joins Juanjo Mena, the BBC Philharmonic and the Crouch End Festival Chorus to perform the London premiere of Mark Simpson The Immortal, an oratorio inspired by Victorian séances.
Mark Wigglesworth is joined by pianist Stephen Hough and the BBC Philharmonic at 7.30pm on 29 July to perform Brahms Piano Concerto No.1, David Sawyer The Greatest Happiness on Earth and Haydn Symphony No.99.
Sir James MacMillan’s European Requiem receives its European premiere at the Proms at 7pm on 30 July from the BBC National Orchestra of Wales and conductor Xian Zhang, with Jacques Imbrailo performing as the baritone soloist.
Sir John Eliot Gardiner returns to the Proms on 2 August with the Monteverdi Choir and English Baroque Soloists, this time for a late night Prom at the Royal Albert Hall at 10.15pm. Gardiner conducts his ensembles in a performance of cantatas by Bach and Schütz.
Sir John Eliot Gardiner makes his second Proms appearance of the year at 7.30pm on 8 August, this time conducting the Orchestre Révolutionnaire et Romantique in a performance of Berlioz La damnation du Faust.
Lise Davidsen makes her debut at the Proms at 7.30pm on 10 August with the BBC Philharmonic and John Storgårds. Davidsen joins the orchestra to perform Sibelius Luonnotar and extracts from Grieg Peer Gynt.
John Wilson’s second Proms appearance this year comes on 11 August when his John Wilson Orchestra returns for its annual concert. This year, Wilson leads the orchestra in two performances of Rogers & Hammerstein Oklahoma!, at 2pm and 7.30pm.
Christopher Purves joins the London Symphony Orchestra and Sir Simon Rattle for a performance of Schoenberg Gurrelieder at 7.30pm on 19 August. Also performing are three of Simon Halsey’s choruses – City of Birmingham Symphony Chorus, London Symphony Chorus and Orfeó Català. Halsey also leads a Gurrelieder Proms Extra Sing Day at London Imperial College earlier that day.
Tim Mead returns to the Proms alongside John Butt and the Dunedin Consort for the third concert of the Proms’ Reformation Day at 7.45pm on 20 August. Mead follows last year’s Bach Mass in B minor with Bach St John Passion, singing alongside a cast that also includes Sophie Bevan, Nicholas Mulroy, Matthew Brook and Andrew Tortise.
Chicago Symphony Orchestra’s Beyond the Score® appears at the Proms at 7.30pm on 23 August, with a performance of Dvorák Symphony No.9 ‘From the New World’ given by the Hallé Orchestra and Sir Mark Elder alongside a multi-media exploration of the symphony directed by Beyond the Score founder Gerard McBurney.
Leonidas Kavakos reunites with Riccardo Chailly at 6.30pm on 25 August, as Intermusica bring the conductor and his Filarmonica della Scala to the Proms to perform Brahms and Respighi. Kavakos joins the orchestra for Brahms Violin Concerto, which is followed by Respighi Fountains of Rome and Pines of Rome.
Joélle Harvey returns to the Proms as Glyndebourne’s production of Mozart La clemenza di Tito comes to the Royal Albert Hall at 7pm on 28 August. Harvey takes the role of Servilia, with accompaniment from the Orchestra of the Age of Enlightenment and Robin Ticciati.
Intermusica is delighted to bring the Oslo Philharmonic and Vasily Petrenko to the Proms at 7.30pm on 29 August. Petrenko conducts the orchestra in an all-Russian programme of Stravinsky The Firebird (1919 version), Rachmaninov Piano Concerto No.4 and Shostakovich Symphony No.12.
The Freiburg Baroque Orchestra bring an all-Mendelssohn programme to the Proms this year from 1pm on 3 September. Conducted by Pablo Heras-Casado, the orchestra perform Mendelssohn Hebrides Overture, Violin Concerto with Isabelle Faust and Symphony No.5
Ben Johnson joins Sakari Oramo, the BBC Symphony Orchestra and an international cast of soloists for the Last Night of the Proms on 9 September. The Last Night begins from 7.15pm and will be broadcast live on BBC Two, and Johnson sings Kodály Te Deum.
John Wilson conducts first performance as Associate Guest Conductor of BBC Scottish Symphony Orchestra
John Wilson conducts his inaugural concert with the BBC Scottish Symphony Orchestra as Associate Guest Conductor of the orchestra at Glasgow City Halls on 16 March 2017. The performance features Mendelssohn Hebrides Overture, a selection of Schubert Lieder orchestrations performed by baritone Benjamin Appl, and Korngold's Symphony in F-sharp major.
Also in March, Wilson returns to the City of Birmingham Symphony Orchestra for two programmes of British music. The first concert, taking place on 1 March, features a selection of works by composers such as Walton, Decius, Elgar, Ireland and Vaughan Williams, as well as songs by Coates, Wood and Stanford performed by Roderick Williams. On 4 March, Wilson and the orchestra give a concert performance of Gilbert & Sullivan Yeoman of the Guard, featuring soloists Sara Fox, Heather Shipp, Benjamin Hulett, Simon Butteriss and Sir Thomas Allen.
John Wilson makes his debut with the London Symphony Orchestra
John Wilson makes his debut with the London Symphony Orchestra on 15 February 2017 when he steps in to conduct the UK premiere of Mark-Anthony Turnage Håkan, written for and performed by trumpeter Håkan Hardenberger.
Also on the programme is Rachmaninov Symphony No.2, which Wilson conducted with the National Youth Orchestra of Great Britain on a critically acclaimed tour in the UK:
“it was Wilson’s musical qualities that directed a performance of the greatest insight and compelling artistry... I have not heard a finer or more penetrating account of it in more than sixty years of concert-going.”
John Wilson continues acclaimed Vaughan Williams symphonic cycle with the Philharmonia Orchestra
John Wilson returns to the Philharmonia Orchestra on 12 February to continue his acclaimed Vaughan Williams symphonic cycle at the Royal Festival Hall. For this installment of the cycle, Wilson conducts Vaughan Williams Symphony No.2 'A London Symphony', which follows Elgar Cockaigne (In London Town), Walton Viola Concerto and Julian Anderson Prayer for Solo Viola, which are performed by Lawrence Power.
Wilson’s last appearance with the Philharmonia, which featured Vaughan Williams Symphony No.1 'A Sea Symphony', was described as “a terrific performance” (Classical Source) with “a real sense of awe and discovery on this spiritual voyage” (Evening Standard):
“John Wilson’s conducting never put a foot wrong, avoiding any attempt to ‘make points’ but demonstrating a keen awareness of the pacing of the work... he unerringly brought out individual wind lines in the composer’s almost impressionist textures, and the marvellous sense of stillness he evoked in the final section..."
Seen and Heard International
John Wilson makes debut with the Swedish Radio Symphony Orchestra
John Wilson begins the month in Stockholm for his debut with the Swedish Radio Symphony Orchestra, conducting two performances at the Berwaldhallen on 2 and 3 February 2017.
Both concerts present Wilson’s acclaimed Hollywood Rhapsody programme, which features music from classic films including Star Wars, Psycho and Gone with the Wind. Click here to watch a clip from Wilson’s 2013 performance of the programme at the BBC Proms.
Wilson recently conducted a critically-acclaimed performance of the programme with the Sydney Symphony Orchestra:
"[Wilson] understands how this music should be played, is a mine of anecdotal information, and communicates it to orchestras and audiences alike with a relaxed determination that’s utterly infectious... a fastidious conductor, never tempted to wallow, always seeking clarity and a real stickler for details. His beat is clean and clear, his stance determined."
John Wilson conducts the National Youth Orchestra of Great Britain on tour in the UK
John Wilson begins the new year with a UK tour with the National Youth Orchestra of Great Britain, beginning at Nottingham's Theatre Royal on 5 January 2017. The tour then continues to Birmingham’s Symphony Hall (6 January) and London’s Royal Festival Hall (7 January).
Wilson leads the orchestra in a programme of Brett Dean Komarov’s Fall, Szymanowski Symphony No.4 ‘Symphonie Concertante’ with soloist Tamara Stefanovich and Rachmaninov Symphony No.2.
The concert on 6 January will be broadcast live on BBC Radio 3.
John Wilson makes debut at Glyndebourne Festival Opera conducting Madama Butterfly
John Wilson makes his debut at Glyndebourne Festival Opera this month when he conducts Madama Butterfly from 14 October 2016. He conducts further performances at Glyndebourne on 17, 20, 23, 26, and 29 October and 1 and 2 November before the production goes on tour in December.
Wilson’s debut also marks Glyndebourne’s first-ever production of Puccini’s beloved opera. The stage director is Annilese Miskimmon and the cast includes Karah Son as Cio-Cio-San and Matteo Lippi as Pinkterton.
Renowned worldwide for his Hollywood-focused John Wilson Orchestra, Wilson has also earned critical praise for past operatic conducting. Critics hailed his concert performances of Léhar The Merry Widow and Strauss Die Fledermaus with the Philharmonia Orchestra at the Royal Festival Hall:
“…what [Wilson] has brought to his exploration of musicals is nothing other than outstanding all-round musicianship…. In this concert performance of Die Fledermaus …Wilson introduced his excellent knowledge of musicals in terms of understanding the type of sounds that have visceral appeal. In this way, he nailed the score by imbuing it with exuberance and a mighty punch, while never sacrificing an ounce of detail or rhythmic precision.”
Music OMH, April 2014
John Wilson returns to the BBC Proms for a celebration of George & Ira Gershwin
John Wilson returns once more to conduct the John Wilson Orchestra at the BBC Proms on 13 August 2016 at Royal Albert Hall. Wilson and his orchestra are regular guests at the Proms, and this year they perform a celebration of the songs of George and Ira Gershwin.
Wilson and his orchestra performed two Proms last year. The first programme featured songs associated with Frank Sinatra, and the second was a highly-acclaimed retrospective of the music of Leonard Bernstein:
"Wilson conducted with a rare combination of relaxed understatement, which coaxed things along with an easy swing, and exactitude which ensured that no detail was overlooked... a wonderfully glossy and rich string sound, characterful woodwind solos and beautifully refined horns, dance-band glitz from the brass, the hypnotic swing of saxophones and rhythm section combined to produce a technicolour kaleidoscope of shifting instrumental colours... Wilson demonstrated consummate appreciation of both the power of the details and the impact of the whole”
John Wilson: Echo Klassik award for Cole Porter in Hollywood
John Wilson has been awarded an Echo Klassik award in the ‘Klassik Ohne Grenzen’ (Classical Without Borders) category for his recording Cole Porter in Hollywood with his own John Wilson Orchestra on Warner Classics. Featuring music from Kiss Me Kate, High Society, Can-Can and Silk Stockings, the disc pays tribute to the legendary composer’s well-known Broadway hits.
The John Wilson Orchestra receive repeated critical acclaim for their performances of Hollywood classics, with a recent review commenting that:
“It’s a given that this is a virtuoso outfit, with a swinging, white-hot brass and rhythm section and strings that produce yard upon yard of velvet and silk... In short, the John Wilson Orchestra is through-the-roof fabulous”
The award ceremony will take place on 9 October 2016 in Berlin.
John Wilson makes debut with the Sydney Symphony Orchestra
John Wilson makes his debut this month with the Sydney Symphony Orchestra, performing two programmes across six concerts from 16 June 2016.
In his first week in Sydney, Wilson leads the orchestra in a programme featuring music from the Golden Age of Hollywood, with familiar tunes from Star Wars, Psycho, Citizen Kane, The Adventures of Robin Hood and Gone with the Wind among others. Performances take place on 16, 17 and 18 June at Sydney Opera House.
The following week, Wilson conducts a programme of English and French repertoire on 23, 24 and 25 June, including Bax Tintagel, Ravel Piano Concerto in G major with soloist Jonathan Biss and Vaughan Williams Symphony No.2, ‘London’. Wilson has received repeated critical acclaim for his interpretation of Vaughan Williams' symphonies, including most recently for a performance with the City of Birmingham Symphony Orchestra, where a review of the performance of the Fifth Symphony noted that:
“Wilson and the orchestra were speaking in their natural voice and communicating something of profound significance. The quiet ecstasy of the Symphony’s final resolution... quivered with sweetness and – yes – passion. But it wouldn’t have felt half as transcendent if Wilson hadn’t built to it so powerfully.”
Arts Desk (click here for the full review)
John Wilson continues Vaughan Williams cycle with the Philharmonia
John Wilson continues his Vaughan Williams cycle with the Philharmonia Orchestra in three performances starting on 23 January 2016. Wilson and the orchestra visit The Anvil Hall, Basingstoke on 23 January, Royal Festival Hall, London on 24 January and St David’s Hall in Cardiff on 7 February. Wilson’s most recent performance with the Philharmonia was in January 2015, conducting Vaughan Williams Symphony No.5, and was warmly received by critics:
“Wilson coaxed from the strings a warm and beguiling tone, as thrilling as I can remember anywhere before.”
This programme includes Vaughan Williams Overture: The Wasps, Finzi Clarinet Concerto, with Mark van de Wiel as soloist, and Vaughan Williams Symphony No. 1: 'A Sea Symphony'. Wilson and the Philharmonia are joined by the Philharmonia Voices, as well as the Bristol & Gloucester Choral Societies.
John Wilson appointed Associate Guest Conductor of the BBC Scottish Symphony Orchestra
John Wilson has been appointed as the BBC Scottish Symphony Orchestra’s Associate Guest Conductor.
Known to audiences around the world for championing a wide range of music including both British and American, which will feature extensively in his work with the BBC SSO, he will take up his position with the orchestra in September 2016.
John Wilson said, “It’s a real honour and privilege to take up a position with the BBC Scottish Symphony Orchestra and I’m very much looking forward to working alongside these marvellous musicians. I’ve admired their playing for many years and it’s always a delight to return to Glasgow to work with them.”
Gavin Reid, Director BBC Scottish Symphony Orchestra, said, “The orchestra has worked with John for over a decade and we are delighted that this formal appointment means we can explore whole new areas of repertoire together, both in the concert hall and the studio .”
John Wilson first conducted the BBC SSO in 2002 and has since recorded a wide range of music with the orchestra for BBC Radio 3 including works by Bax, Walton, Holst, Saint-Saëns, Coates, Gershwin, Bernstein, Delius and Dutilleux. He takes over from Andrew Manze who was the orchestra’s Associate Guest Conductor from 2010 – 2014.
John Wilson conducts Bernstein at the BBC Proms
Following his Sinatra celebration at the Proms in August, John Wilson returns to the Royal Albert Hall with his John Wilson Orchestra for an all-Bernstein programme on 5 September 2015. Wilson and the orchestra are joined by the Maida Vale Singers and vocalists Louise Dearman, Lucy Schauffer, Scarlett Strallen and Julian Ovenden for a performance of some of Bernstein's best-loved works in addition to some rarely-heard pieces.
John Wilson returns to BBC Proms for two performances
John Wilson returns to the BBC Proms with his John Wilson Orchestra to give the first of two performances at this year’s Proms on 7 August 2015. The late-night performance at Royal Albert Hall celebrates the centenary of the birth of Frank Sinatra, and his contribution to popular song. Wilson is joined by guest vocalists including TV writer and comedian Seth McFarlane and British actor Jamie Parker, who perform the tunes made famous by Sinatra over his long career.
Wilson and the John Wilson Orchestra return to the Albert Hall on 5 September, when they are joined by the Maida Vale Singers and vocalists including Louise Dearman and Lucy Schauffer for an all-Bernstein programme.
John Wilson performs with RTE National Symphony Orchestra at Galway Arts Festival
John Wilson performs at the Galway Arts Festival on 17 and 18 July 2015, where he conducts the RTÉ National Symphony Orchestra two varied performances. The first performance includes Elgar Cello Concerto with soloist Leonard Elschenbroich and Rachmaninov Symphony No.2, while the second includes Irish composer Kevin O’Connell’s new work, Early Music, alongside Beethoven Emperor Concerto and Nielsen Symphony No.4.
Both performances will be broadcast live on RTÉ Radio.
Watch John Wilson discuss the programme for 17 July, Rachmaninov and Elgar:
John Wilson returns to Philharmonia Orchestra with Walton & Vaughan Williams
John Wilson returns to the Philharmonia Orchestra at the Royal Festival Hall on 25 January in a programme that continues his cycle of Vaughan Williams symphonies. He conducts Bax Tintagel, Walton Cello Concerto (soloist Steven Isserlis) and Vaughan Williams Symphony No.5. Further information about the concert is available here.
In 2014 Wilson conducted the Philharmonia Orchestra in a semi-staged version of Johann Strauss’s Die Fledermaus at the Royal Festival Hall in April; the performance was praised by Bachtrack: “John Wilson was in balletic form on the podium and the Philharmonia responded in stylish fashion”. He also appeared with the orchestra at the Brighton Festival for a choral programme of Bernstein, Ravel and Stravinsky in May.
Also in January, John Wilson conducts the National Youth Orchestra of Great Britain in two concerts, the first in Leeds Town Hall on the 3 January followed by a concert at the Barbican on 4 January. The programme for these concerts includes Elgar Symphony No.1 in A-flat major, the symphonic poem ‘Pines of Rome ‘by Respighi, and Bach Fantasia and Fugue in C minor, BWV.537 (arr Elgar). The same programme will also be performed at Highbury Grove School on the 7 January as part of the NYO ‘Inspire Schools’ workshop.
Wilson also returns to his post as Principal Conductor of the Royal Northern Sinfonia for a concert on 18 January at the Sage Gateshead with pianist Leon McCawley. The programme for this concert will include Gershwin Piano Concerto in F major, Copland Hoe Down from Rodeo, Barber Essay No.1, John Adams The Chairman Dances and Bernstein Symphonic Dances from Westside Story.
John Wilson & Dame Felicity Palmer in BBC Chamber Music Prom at Cadogan Hall
John Wilson conducts the Nash Ensemble at Cadogan Hall on 8 September in a BBC Proms Chamber Music matinee. He is joined by Dame Felicity Palmer for a performance of Walton’s Façade, with Ian Bostridge as her fellow narrator.
The programme also includes a performance of Shostakovich’s Four Waltzes.
John Wilson conducts the Philharmonia Orchestra in Walton, Strauss and Korngold
John Wilson conducts the Philharmonia Orchestra at the Three Choirs Festival on 30 July at Worcester Cathedral. Featuring Walton’s Henry V in the second half, the programme begins with Richard Strauss’s Don Juan and Korngold’s Violin Concerto with soloist Andrew Haveron.
This marks Wilson’s third concert with the Philharmonia Orchestra this season, having conducted a semi-staged version of Johann Strauss’s Die Fledermaus at the Royal Festival Hall in April, then appearing with the orchestra at the Brighton Festival for a choral programme of Bernstein, Ravel and Stravinsky in May.
On 2 August, John Wilson and his own orchestra make their annual performance at the BBC Proms. Following the huge success of the staged performance of My Fair Lady in 2012, Wilson returns to conduct Cole Porter’s Kiss Me, Kate in its original 1948 version. The concert is broadcast live on BBC Radio 3 and is recorded for delayed transmission on television (BBC Two) in December.
John Wilson conducts Stravinsky, Ravel & Bernstein with the Philharmonia Orchestra
At the Brighton Festival on 24 May, John Wilson conducts the Philharmonia Orchestra in a concert at the Brighton Dome Concert Hall. Wilson has a regular relationship with the Philharmonia Orchestra, with three concerts this season. At the Brighton Festival, he conducts a programme that includes Bernstein’s Symphonic Suite from On the Waterfront, his Chichester Psalms, Ravel’s Piano Concerto in G, with pianist Jean-Efflam Bavouzet, and Stravinsky’s Symphony of Psalms.
Last month, Wilson conducted the Philharmonia Orchestra in a concert performance of Strauss’s Die Fledermaus at the Royal Festival Hall, which was praised as a “stylish” and “lively” performance (Classical Source). In July, Wilson returns to the orchestra for a performance at the Three Choirs Festival in Worcester, where he conducts Strauss’s Don Juan, Korngold’s Violin Concerto, and Walton’s Henry V.
Next season, John Wilson returns to the Philharmonia Orchestra in a programme of English music: Bax’s Tintagel, Walton’s Cello Concerto (with soloist Steven Isserlis), and Vaughan Williams’s Symphony No.5.
With the RTÉ Concert Orchestra in Dublin, of which he is Principal Conductor, John Wilson conducts a concert performance of Bizet’s Carmen on 31 May, with Patricia Bardon in the title role and with Gwyn Hughes Jones as Don José, and on 21 June a concert of Gershwin and Bernstein.
John Wilson returns to conduct Philharmonia Orchestra at the Royal Festival Hall
On 27 April, John Wilson returns to the Philharmonia Orchestra for a semi-staged concert performance of Johann Strauss’s Die Fledermaus at the Royal Festival Hall. It is directed and narrated by Simon Butteriss, who also plays Dr Blind. This concert follows the success of Wilson and Butteriss’s collaboration with the Philharmonia Orchestra with their concert performance of The Merry Widow in 2012. Martin Kettle of the Guardian praised “John Wilson's stylish conducting, and the Philharmonia in fine form”.
The cast for Die Fledermaus includes Toby Spence, Alan Opie, Aga Mikolaj, Pamela Helen Stephen and Jacques Imbrailo, as Dr Falke.
Wilson has a close relationship with the Philharmonia Orchestra and tours with them to two regional festivals in the UK later this year. At Brighton Festival in May, he conducts a programme of Bernstein, Ravel and Stravinsky, and at Three Choirs Festival in August, the programme is Richard Strauss Don Juan, Korngold Violin Concerto and Walton Henry V. In January 2015, John Wilson returns with the Philharmonia Orchestra to Royal Festival Hall to conduct Vaughan Williams Fifth Symphony, alongside Bax Tintagel and the Walton Cello Concerto with Steven Isserlis.